- BPM
- 107
- Key
- C Major
- Camelot
- 8B
He Carves The Roast Beast / Welcome Christmas - From "Dr. Seuss' How The Grinch Stole Christmas" Soundtrack - James Horner Information
- Acousticness
- 94%
- Danceability
- 20%
- Energy
- 24%
- Instrumentalness
- 28%
- Liveness
- 8%
- Loudness
- 80%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 30%
- Loudness
- -11.862 dB
Summary
"He Carves The Roast Beast / Welcome Christmas - From "Dr. Seuss' How The Grinch Stole Christmas" Soundtrack" by James Horner was released on January 1, 2000. The duration of He Carves The Roast Beast / Welcome Christmas - From "Dr. Seuss' How The Grinch Stole Christmas" Soundtrack is about 3 minutes long, at 3:10. Based on our data, "He Carves The Roast Beast / Welcome Christmas - From "Dr. Seuss' How The Grinch Stole Christmas" Soundtrack" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 23 out of 23 in Dr. Seuss' How The Grinch Stole Christmas by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, He Carves The Roast Beast / Welcome Christmas - From "Dr. Seuss' How The Grinch Stole Christmas" Soundtrack is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
He Carves The Roast Beast / Welcome Christmas - From "Dr. Seuss' How The Grinch Stole Christmas" Soundtrack BPM
The tempo marking of He Carves The Roast Beast / Welcome Christmas - From "Dr. Seuss' How The Grinch Stole Christmas" Soundtrack by James Horner is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
He Carves The Roast Beast / Welcome Christmas - From "Dr. Seuss' How The Grinch Stole Christmas" Soundtrack Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Epilogue | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 0 BPM | |
 | Such Good Luck - From “Downton Abbey” Soundtrack | John Lunn, The Chamber Orchestra Of London | G Major | 2 | 9B | 73 BPM | |
 | The Wheat - From "Gladiator" Soundtrack | Lisa Gerrard, Gavin Greenaway, The Lyndhurst Orchestra | B Minor | 0 | 10A | 82 BPM | |
 | Beth's Story | Carlos Rafael Rivera | E♭ Major | 1 | 5B | 100 BPM | |
 | Unlocking the Mind (From "The Theory of Everything") [Trailer Music] | Samuel Bohn | G Minor | 3 | 6A | 124 BPM | |
 | Northern Lights | Jacob Shea | G Minor | 1 | 6A | 81 BPM | |
 | The Amendment | Stephen Warbeck | E♭ Major | 1 | 5B | 75 BPM | |
 | Munros Office - Stockade | Trevor Jones | D Major | 2 | 10B | 96 BPM | |
 | The Mission | Ennio Morricone | G Major | 1 | 9B | 77 BPM | |
 | Earth | Hans Zimmer, Gavin Greenaway, The Lyndhurst Orchestra | E Minor | 1 | 9A | 170 BPM |
- ISRC
- USIR10001319
- Label
- L-M Records/RCA Records
Section: 0.6195068359375
End: 0.6233291625976562