Camerata Antonio Lucio, Emmy Verhey made "Concerto in D Minor for Violin and Strings, BWV 1052R (after Keyboard Concerto No. 1 in D Minor): I. Allegro" available on December 6, 2011. Since Concerto in D Minor for Violin and Strings, BWV 1052R (after Keyboard Concerto No. 1 in D Minor): I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 25 in the song's album "The Best Baroque Keyboard Music". In this album, this song's track order is #19. In terms of popularity, Concerto in D Minor for Violin and Strings, BWV 1052R (after Keyboard Concerto No. 1 in D Minor): I. Allegro is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Concerto in D Minor for Violin and Strings, BWV 1052R (after Keyboard Concerto No. 1 in D Minor): I. Allegro by Camerata Antonio Lucio, Emmy Verhey having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
King William's Rambles | The Royal Wind Music | D♭ Major | 2 | 3B | 140 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Vivat Rex | David John Hicken, David Hicken | D Minor | 1 | 7A | 76 BPM | ||
Sonata No. 1 in G Major: III. Andante | Georg Philipp Telemann, Angèle Dubeau | B Minor | 0 | 10A | 163 BPM | ||
The Maypole | Anonymous, The Royal Wind Music, Paul Leenhouts | D♭ Major | 0 | 3B | 78 BPM | ||
Sonata No. 8 in D Minor: I. Allegro | Leonardo Vinci, Claudio Ferrarini | A Minor | 4 | 8A | 132 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 1: III. Presto - | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | A♭ Major | 3 | 4B | 89 BPM | ||
Concerto a 5 in A Minor, Op. 5, No. 5: III. Allegro | Tomaso Albinoni, Bela Banfalvi, Budapest Strings, Karoly Botvay | C Major | 3 | 8B | 109 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Concerto for 2 violins in D minor 2nd movement | Hajime Mizoguchi | F Major | 1 | 7B | 95 BPM |
Section: 0.61600661277771
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