Pavel Haas, Leo Marian Vodička, Ladislav Mlejnek, Prague State Opera Orchestra, Israel Yinon made "Sarlatan / Act 1: Overture ... Sem, sem, lidicky" available on June 29, 1998. The duration of Sarlatan / Act 1: Overture ... Sem, sem, lidicky is about 3 minutes long, at 3:18. Based on our data, "Sarlatan / Act 1: Overture ... Sem, sem, lidicky" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Pavel Haas, Israel Yinon, Anda-Louise Bogza, Jaroslav Brych, Vladimir Chmelo, Miroslav Svejda, Leo Marian Vodička, Ladislav Mlejnek, Jan Jezek, Prague Philharmonic Chorus, Prague State Opera Orchestra's "Haas: Sarlatan" album is number 1 out of 29. Sarlatan / Act 1: Overture ... Sem, sem, lidicky is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Sarlatan / Act 1: Overture ... Sem, sem, lidicky by Pavel Haas, Leo Marian Vodička, Ladislav Mlejnek, Prague State Opera Orchestra, Israel Yinon to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Daphnis et Chloé, Suite No. 2, M. 57b: III. Danse générale | Maurice Ravel, Sir Simon Rattle, London Symphony Orchestra | B Major | 3 | 1B | 82 BPM | ||
Rêverie | Fernand de la Tombelle, Munich Radio Orchestra, Herve Niquet | E Major | 1 | 12B | 99 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Violin Sonata No. 2 in G Major, M. 77: III. Perpetuum mobile. Allegro | Maurice Ravel, Alina Ibragimova, Cédric Tiberghien | D Major | 2 | 10B | 163 BPM | ||
Die Harmonie der Welt Symphony: II. Musica Humana | Paul Hindemith, Yan Pascal Tortelier, BBC Philharmonic Orchestra | D♭ Major | 0 | 3B | 74 BPM | ||
Stück für Flötenuhr nr. 30 | The Royal Wind Music | B♭ Major | 1 | 6B | 112 BPM | ||
The Wooden Prince, Sz. 60 (Final Version): IV. First Dance - Dance of the Princess in the Forest, Pt. 2 | Béla Bartók, BBC Scottish Symphony Orchestra, Thomas Dausgaard | F Major | 4 | 7B | 154 BPM | ||
Piano Trio in A Minor, Op. 50, TH 117: Tema con variazioni, Variation IV: L'istesso tempo (Allegro moderato) | Pyotr Ilyich Tchaikovsky, Geneva Piano Trio | D♭ Minor | 0 | 12A | 99 BPM | ||
9 Bagatelles: No. 5. La belle rouqine (USA) | William Bolcom, Joel Fan | D Major | 0 | 10B | 65 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": II. Aria | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | F Minor | 0 | 4A | 68 BPM |
Section: 1.0047128200531006
End: 1.0087742805480957