"Main Title - From Séance on a Wet Afternoon" by John Barry was released on April 12, 2024. The duration of Main Title - From Séance on a Wet Afternoon is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Main Title - From Séance on a Wet Afternoon's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Séance on a Wet Afternoon (Music from the Motion Picture)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Based on our statistics, Main Title - From Séance on a Wet Afternoon's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Main Title - From Séance on a Wet Afternoon by John Barry having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ファーレが効かない!? | Takayuki Hattori | D Major | 4 | 10B | 70 BPM | ||
wonderful | Shari Watson | F Minor | 2 | 4A | 114 BPM | ||
Worship and Prayer | Michael O'Riley | B♭ Minor | 2 | 3A | 119 BPM | ||
Frustration (From "Anastasia") | Alfred Newman, Ken Darby Chorus, The 20th Century-Fox Studio Orchestra | B Major | 2 | 1B | 138 BPM | ||
No Condemnation | Marc Ezenge | D♭ Major | 1 | 3B | 133 BPM | ||
Knife Fight on the Hill | Sid Ramin | A Minor | 4 | 8A | 121 BPM | ||
Whispers of Solitude | Miljan Minic, Strings Above the Sky | F Minor | 1 | 4A | 149 BPM | ||
Visions | The Mystic Moods Orchestra | C Major | 1 | 8B | 115 BPM | ||
Club Date | Basil Kirchin, John Coleman, De Wolfe Music | D♭ Minor | 3 | 12A | 181 BPM | ||
Casse-Noisette suite, Op. 71a ; TH 35: II. Danse de la fée Dragée | Pyotr Ilyich Tchaikovsky, Royal Concertgebouw Orchestra, Eduard van Beinum | B Minor | 5 | 10A | 94 BPM |
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