Henryk Szeryng, Walter Hendl, Chicago Symphony Orchestra's 'Symphonie Espagnole for Violin and Orchestra in D Minor, Op. 21: 1. Allegro Non Troppo' came out on January 1, 2020. Since Symphonie Espagnole for Violin and Orchestra in D Minor, Op. 21: 1. Allegro Non Troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Henryk Szeryng, Walter Hendl, Chicago Symphony Orchestra's "Lalo: Symphonie Espagnole" album is number 1 out of 5. Based on our statistics, Symphonie Espagnole for Violin and Orchestra in D Minor, Op. 21: 1. Allegro Non Troppo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonie Espagnole for Violin and Orchestra in D Minor, Op. 21: 1. Allegro Non Troppo by Henryk Szeryng, Walter Hendl, Chicago Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Cello Sonata in G Minor, Op. 19: IV. Allegro mosso | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 77 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Concerto for Violin & Orchestra, Op.14: 2. Andante | Samuel Barber, Joshua Bell, Baltimore Symphony Orchestra, David Zinman | B♭ Minor | 1 | 3A | 133 BPM | ||
Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio | Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | A Major | 1 | 11B | 80 BPM | ||
5 Morceaux de fantaisie, Op. 3: No. 1 Elégie - Adapted by Mischa Maisky | Sergei Rachmaninoff, Mischa Maisky, Sergio Tiempo | E Minor | 1 | 9A | 91 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Cello Sonata: I. Andante non troppo | Édouard Lalo, Valentin Radutiu, Per Rundberg | F Major | 1 | 7B | 91 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM |
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