Gordito de Triana, flamenco's 'La Harté De Vino Un Dia, Flamenco' came out on 1978. The duration of La Harté De Vino Un Dia, Flamenco is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. La Harté De Vino Un Dia, Flamenco's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Spanish Fandangos". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Portugal. In terms of popularity, La Harté De Vino Un Dia, Flamenco is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La Harté De Vino Un Dia, Flamenco by Gordito de Triana, flamenco having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rondeñas: Cante, Guitarra y Compás | El Trini, Victor M. Rosa, Rafael García, Marcos Flores, Mariló García, Lurdes García | F Minor | 5 | 4A | 91 BPM | ||
Toitas las Mujeres Llevan - Fandangos de Huelva | Porrina de Badajoz, Juan Salazar, Porrina Hijo, Antonio Arenas | E♭ Minor | 4 | 2A | 84 BPM | ||
Como Te Voy a Entender: Cantiñas-Caracoleras (with Antonio Arenas & Aurelio Garci) - Remastered | Jacinto Almaden, Antonio Arenas, Aurelio Garci | E♭ Major | 3 | 5B | 78 BPM | ||
Retablo de Andalucía, Parte 6 | Manolo Vargas, Manolo el Sevillano | D Major | 4 | 10B | 182 BPM | ||
Alegrías: Letra por Bulerías | Juan María Real, Ana Real, Manuel Salado | E Major | 4 | 12B | 77 BPM | ||
Fiesta Gitana por Bulerías | Maria La Canastera | F Minor | 6 | 4A | 141 BPM | ||
La Soleá - Soleá | Miguel Poveda, Jesús Guerrero | C Major | 6 | 8B | 100 BPM | ||
Yo Me Negué a Tomarlos: Fandanguillos | El Carbonerillo, Niño Ricardo | G Major | 1 | 9B | 83 BPM | ||
Mineras: Cante y Guitarra | El Trini, Victor M. Rosa | G Major | 2 | 9B | 78 BPM | ||
Por Mí Se Queda Rezando: Tarantos - Remastered | Jarrito, Antonio Arenas y su Grupo Flamenco | E♭ Major | 5 | 5B | 132 BPM |
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