"String Quartet No. 1, Mvnt. III." by James William Ricci, QX String Quartet had its release date on January 1, 2017. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 4 in Distant Memories by James William Ricci, QX String Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, String Quartet No. 1, Mvnt. III.'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 1, Mvnt. III. by James William Ricci, QX String Quartet is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berlin Symphony of a Great City | Matthew Malsky, QX String Quartet | D♭ Major | 1 | 3B | 87 BPM | ||
Welcome to Pleasures | Paolo MIllon, Neon Lilith, Tommy F Besson, Metasymphony | F♯ Minor | 2 | 11A | 80 BPM | ||
Woman On The Verge - The Deluxe Edition | Alan Silvestri | A♭ Minor | 0 | 1A | 92 BPM | ||
Asunder: II. Patient & mysterious | Vijay Iyer, Boston Modern Orchestra Project, Gil Rose | B Minor | 2 | 10A | 104 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: II. First Decoy Game | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
5. Magicicada (Empatía), para Flauta, Contrabajo y Orquesta Gili Schwarzman, Flauta y Edicson Ruiz, Contrabajo - En Vivo | Arturo Márquez, Alondra de la Parra, La Orquesta Imposible | G Major | 1 | 9B | 112 BPM | ||
Symphony No. 9 in D Major: IV. Adagio: No. 3, Molto adagio subito | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM | ||
Pärt: Silouans Song | Arvo Pärt, Ostrobothnian Chamber Orchestra, Juha Kangas | F Minor | 0 | 4A | 130 BPM | ||
Concerto for Clarinet and Orchestra, Op. 124: III. Lento | Robert Groslot, Roeland Hendrikx, Brussels Philharmonic | D Minor | 0 | 7A | 62 BPM | ||
The Purple Jack - Largo Terminale | Ola Kvernberg, Trondheim Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM |