Stabat Mater (Hob. XXbis)- 1767: 11. Flammis orci ne succendar - Franz Joseph Haydn, Cornelius Hauptmann, The English Concert, Trevor Pinnock Information

Acousticness: 90%
Danceability: 31%
Energy: 40%
Instrumentalness: 48%
Liveness: 28%
Loudness: 77%
Speechiness: 4%
Valence: 92%
Popularity: 3%
Loudness: -14.041 dB

Summary

On May 1, 2021, the song "Stabat Mater (Hob. XXbis)- 1767: 11. Flammis orci ne succendar" was released by Franz Joseph Haydn, Cornelius Hauptmann, The English Concert, Trevor Pinnock. With Stabat Mater (Hob. XXbis)- 1767: 11. Flammis orci ne succendar being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 141 in the song's album "Simply Haydn". In this album, this song's track order is #19. Based on our statistics, Stabat Mater (Hob. XXbis)- 1767: 11. Flammis orci ne succendar's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

Stabat Mater (Hob. XXbis)- 1767: 11. Flammis orci ne succendar BPM

With Stabat Mater (Hob. XXbis)- 1767: 11. Flammis orci ne succendar by Franz Joseph Haydn, Cornelius Hauptmann, The English Concert, Trevor Pinnock having a BPM of 151 with a half-time of 76 BPM and a double-time of 302 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.

Stabat Mater (Hob. XXbis)- 1767: 11. Flammis orci ne succendar Key

B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Fantasia in C Major, Hob. XVII: 4	Joseph Haydn, Jean-Efflam Bavouzet	C Major	2	8B	134 BPM
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I	Franz Schubert, Emmanuel Pahud, Eric Le Sage	D Major	2	10B	101 BPM
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante	Johann Sebastian Bach, Monica Huggett, Rachel Beckett, Marion Scott, Orchestra of the Age of Enlightenment	D♭ Major	0	3B	116 BPM
Havanaise, Op. 83	Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa	E Major	2	12B	76 BPM
Sinfonia Concertante in B-Flat Major, Hob. I:105: I. Allegro	Joseph Haydn, Marieke Blankestijn, Steven Isserlis, Douglas Boyd, Matthew Wilkie, Sir Roger Norrington	A Minor	3	8A	168 BPM
Die Jahreszeiten (The Seasons), Hob.XXI:3: Der Winter (Winter): Introduction: Die Einleitung schildert die dicken Nebel	Franz Joseph Haydn, Sibylla Rubens, Andreas Karasiak, Stephan MacLeod, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen	F Minor	0	4A	78 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	G Major	2	9B	90 BPM
Oboe Concerto in C: 1. Introduzione (Larghetto)	Domenico Cimarosa, Heinz Holliger, I Musici	C Minor	1	5A	172 BPM
A Fugal Concerto, Op. 40: II. Adagio	Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths	D Major	1	10B	60 BPM
Kinderszenen, Op.15: 10. Fast zu ernst	Robert Schumann, Martha Argerich	A♭ Minor	0	1A	67 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8589587211608887

End: 0.8636212348937988