Piero Cappuccilli, Fabio Armiliato's 'Quoniam' came out on February 15, 2011. With Quoniam being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Piero Cappuccilli's "Messa di Gloria" album is number 8 out of 18. In terms of popularity, Quoniam is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quoniam by Piero Cappuccilli, Fabio Armiliato to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / II. In Taberna: "Ego sum abbas" | Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Minor | 3 | 3A | 108 BPM | ||
La Sonnambula / Act 2: "Tutto è sciolto...Ah, perchè non posso odiarti" | Vincenzo Bellini, Juan Diego Flórez, Ermonela Jaho, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 2 | 7B | 134 BPM | ||
Macbeth / Act IV: Pietà, rispetto, amore (Macbeth) | Giuseppe Verdi, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | C Major | 3 | 8B | 166 BPM | ||
Nabucco / Act 1: O vinti, il capo a terra! | Giuseppe Verdi, Piero Cappuccilli, Yevgeny Nesterenko, Plácido Domingo, Ghena Dimitrova, Lucia Popp, Lucia Valentini Terrani, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D Major | 5 | 10B | 79 BPM | ||
Cavalleria rusticana: "Mamma, quel vino è generoso...Turiddu?! Che vuoi dire?" | Pietro Mascagni, Luciano Pavarotti, Ida Bormida, Piero Cappuccilli, Julia Varady, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | E♭ Major | 3 | 5B | 83 BPM | ||
L'elisir d'amore / Act I: "Bel conforto" | Gaetano Donizetti, Dawn Upshaw, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 119 BPM | ||
L'elisir d'amore / Act 2: "Prendi; per me sei libero" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 67 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act III: Scene And Arioso. "Itak, poidyom, tebya predstavlyu ya" - "Uzhel ta samaya Tatyana" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Paata Burchuladze, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Romeo and Juliette, Act V: O ma femme! O ma bien-aimee | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse, Orchestre Du Capitole De Toulouse | B♭ Major | 2 | 6B | 84 BPM | ||
La Cenerentola / Act 2: Della Fortuna instabile...Sposa - Signor perdona... | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 1 | 12B | 92 BPM |
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