State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov made "Eugene Onegin, Op. 24, Act III, Scene 19: "Polonez"" available on January 22, 2014. With this song being about 5 minutes long, at 4:57, "Eugene Onegin, Op. 24, Act III, Scene 19: "Polonez"" by State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Tchaikovsky: The Greatest Hits". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Russia. In terms of popularity, Eugene Onegin, Op. 24, Act III, Scene 19: "Polonez" is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Eugene Onegin, Op. 24, Act III, Scene 19: "Polonez" by State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM | ||
The Four Seasons (Le Quattro Stagioni), Op. 8, Concerto No. 4 in F Minor, RV 297 "Winter": I. Allegro non molto (Arr. for 2 Violins and Piano) | Antonio Vivaldi, Botticelli Trio | F Minor | 3 | 4A | 150 BPM | ||
Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Simone Stella | D Minor | 1 | 7A | 91 BPM | ||
Carmen Ballet Suite (after Bizet): II. Dance | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | D Major | 4 | 10B | 124 BPM | ||
Waltz No. 10 in B Minor, Op. 69, No. 2 | Frédéric Chopin, Idil Biret | B Minor | 0 | 10A | 155 BPM | ||
Rachmaninov: 6 Moments Musicaux, Op. 16: No. 4 in E Minor | Sergei Rachmaninoff, Nikolai Lugansky | E Minor | 3 | 9A | 98 BPM | ||
Danse macabre, Op. 40 | Camille Saint-Saëns, Detroit Symphony Orchestra, Paul Paray | A Major | 2 | 11B | 153 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
Miniature Triptych: III. Allegro moderato | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | E Major | 2 | 12B | 132 BPM | ||
Melancholic Waltz in G Minor | Alexander Dargomyzhsky, Mikhail Utin, Alexander Blok | G Minor | 1 | 6A | 81 BPM |
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