Goldberg Variations, BWV 988: Var. 29. a 1 ô vero 2 Clav.
Johann Sebastian Bach, Tatiana Nikolayeva
Bach: Goldberg Variations, BWV 988
2:46 November 1, 1992
BPM
141
Key
G Major
Camelot
9B

Embed

Share Link

Goldberg Variations, BWV 988: Var. 29. a 1 ô vero 2 Clav. - Johann Sebastian Bach, Tatiana Nikolayeva Information

Acousticness
99%
Danceability
22%
Energy
21%
Instrumentalness
86%
Liveness
13%
Loudness
66%
Speechiness
4%
Valence
38%
Popularity
Loudness
-20.127 dB

Summary

Johann Sebastian Bach, Tatiana Nikolayeva's 'Goldberg Variations, BWV 988: Var. 29. a 1 ô vero 2 Clav.' came out on November 1, 1992. The duration of Goldberg Variations, BWV 988: Var. 29. a 1 ô vero 2 Clav. is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Goldberg Variations, BWV 988: Var. 29. a 1 ô vero 2 Clav.'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 30 out of 32 in Bach: Goldberg Variations, BWV 988 by Johann Sebastian Bach, Tatiana Nikolayeva. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Goldberg Variations, BWV 988: Var. 29. a 1 ô vero 2 Clav.'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Goldberg Variations, BWV 988: Var. 29. a 1 ô vero 2 Clav. BPM

The tempo marking of Goldberg Variations, BWV 988: Var. 29. a 1 ô vero 2 Clav. by Johann Sebastian Bach, Tatiana Nikolayeva is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.

Goldberg Variations, BWV 988: Var. 29. a 1 ô vero 2 Clav. Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts by Jean-Philippe Rameau, Teodor CurrentzisLes Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les ArtsJean-Philippe Rameau, Teodor CurrentzisD♭ Major13B130 BPM
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace by Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber OrchestraBach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. VivaceJohann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber OrchestraD Minor37A179 BPM
Viola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): III. Allegro by Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela HewittViola da gamba Sonata in G Minor, BWV 1029 (Arr. for Cello & Piano): III. AllegroAnonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela HewittA♭ Major04B84 BPM
Violin Partita No. 3 in E Major, BWV 1006: II. Loure by Johann Sebastian Bach, Hilary HahnViolin Partita No. 3 in E Major, BWV 1006: II. LoureJohann Sebastian Bach, Hilary HahnD♭ Minor112A133 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai by Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro AssaiCologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian BachF Minor44A107 BPM
Ständchen in D Minor (After Schubert), S. 560 by Franz Liszt, Lise de la SalleStändchen in D Minor (After Schubert), S. 560Franz Liszt, Lise de la SalleD Major010B76 BPM
Adagio in F, H.XVII No.9 by Franz Joseph Haydn, Alfred BrendelAdagio in F, H.XVII No.9Franz Joseph Haydn, Alfred BrendelF Major07B71 BPM
Symphony in F Major, J-C 36: III. Allegro assai by Giovanni Battista Sammartini, Aradia Ensemble, Kevin MallonSymphony in F Major, J-C 36: III. Allegro assaiGiovanni Battista Sammartini, Aradia Ensemble, Kevin MallonE Major312B126 BPM
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo by Christoph Willibald Gluck, Yuja WangOrfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'OrfeoChristoph Willibald Gluck, Yuja WangD Minor07A70 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D MinorSeattle Symphony Orchestra, Johannes Brahms, Gerard SchwarzA Minor08A76 BPM
ISRC
GBAJY9258930
Label
L-M Records/RCA Records

Section: 0.5959744453430176

End: 0.6001930236816406