Scheherazade - Symphonic Suite, Op.35: II. The Tale Of The Kalender Prince - North German Symphony Orchestra, Wilhelm Schüchter Information

Acousticness: 97%
Danceability: 27%
Energy: 20%
Instrumentalness: 84%
Liveness: 13%
Loudness: 69%
Speechiness: 4%
Valence: 10%
Popularity: 0%
Loudness: -18.32 dB

Summary

"Scheherazade - Symphonic Suite, Op.35: II. The Tale Of The Kalender Prince" by North German Symphony Orchestra, Wilhelm Schüchter was released on November 27, 2011. Scheherazade - Symphonic Suite, Op.35: II. The Tale Of The Kalender Prince appears to be safe for all ages as it is not explicit. The track order of this song in San's "Instant Classical Collection - Most Popular Masterpieces, Vol. 1" album is number 10 out of 87. Based on our statistics, Scheherazade - Symphonic Suite, Op.35: II. The Tale Of The Kalender Prince's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Scheherazade - Symphonic Suite, Op.35: II. The Tale Of The Kalender Prince BPM

We consider the tempo marking of Scheherazade - Symphonic Suite, Op.35: II. The Tale Of The Kalender Prince by North German Symphony Orchestra, Wilhelm Schüchter to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Scheherazade - Symphonic Suite, Op.35: II. The Tale Of The Kalender Prince Key

This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
The Hebrides, Op. 26 "Fingal's Cave"	Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra	D Major	1	10B	137 BPM
Peer Gynt, Op. 23: No. 16, Anitra's Dance	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	A Minor	0	8A	82 BPM
Jazz Suite No. 1: I. Waltz	Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky	E♭ Major	1	5B	173 BPM
Symphony No. 2: II. Allegro molto	Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra	F Major	1	7B	146 BPM
Spanish Dance No. 1 (from La vida breve)	Manuel de Falla, Itzhak Perlman, David Garvey	A Major	3	11B	112 BPM
Carmen Suite No. 2: Danse bohème	Georges Bizet, London Symphony Orchestra, Sir Neville Marriner	C Major	1	8B	132 BPM
Carmen Fantasy, Op. 25: I. Moderato	Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada	D Major	1	10B	89 BPM
Thaïs: Méditation	Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero	D Major	0	10B	84 BPM
Skazaniye o nevidimom grade Kitezhe i deve Fevronii (Legend of the Invisible City of Kitezh and the Maiden Fevroniya): Act I: Dearest, how can you live life without joy (Fevronya, Prince Vsevolod)	Nikolai Rimsky-Korsakov, Mikhail Kazakov, Vitaly Panfilov, Tatiana Monogarova, Mikhail Gubsky, Gevorg Hakobyan, Marika Gulordava, Riccardo Ferrari, Stefano Consolini, Valery Gilmanov, Alexander Naumenko, Rosanna Savoia, Elena Manistina, Cagliari Theatre Chorus, Cagliari Theatre Orchestra, Alexander Vedernikov	B♭ Major	1	6B	95 BPM
Variations on a Theme by Tchaikovsky, Op. 35a: III. Var. II. Allegro non Troppo	Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà	G Major	1	9B	148 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.9716203212738037

End: 0.9755196571350098