Friedrich, Felix's 'Choralvorspiel "Vater unser im Himmelreich" - I' came out on 1991. Since Choralvorspiel "Vater unser im Himmelreich" - I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Friedrich, Felix's "J.S. Bach: Dritter Theil der Clavier-Uebung (CD 2) [Friedrich, Felix]" album is number 1 out of 13. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Choralvorspiel "Vater unser im Himmelreich" - I's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Choralvorspiel "Vater unser im Himmelreich" - I by Friedrich, Felix to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 Op. 92: II. Allegretto (Beethoven) | Orchestra Di Padova E Del Veneto & Peter Maag | E Minor | 0 | 9A | 128 BPM | ||
The Departure (From "Gattaca") [Arr. for Solo Piano] | Michael Nyman, Ksenia Bashmet | F Major | 0 | 7B | 65 BPM | ||
Children Arrive - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 2 | 8B | 142 BPM | ||
Untitled Picture | Polarkreis 18 | A Minor | 1 | 8A | 140 BPM | ||
Canon and Gigue in D Major, P. 37: I. Canon | Johann Pachelbel, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 106 BPM | ||
4 Duette aus "Dritter Theil der Clavierübung" - No. 4, a-moll | Friedrich, Felix | B♭ Minor | 1 | 3A | 72 BPM | ||
When Dreams Come True | Baptiste Thiry | E Minor | 5 | 9A | 94 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Andrea Kauten | D♭ Minor | 0 | 12A | 68 BPM | ||
Tranceatlantic | Friedrich, AuralBee | A♭ Major | 6 | 4B | 115 BPM | ||
Creating "Governing Dynamics" | James Horner | C Major | 1 | 8B | 118 BPM |
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