"Concerto No. 2 in F Minor for Piano and Orchestra, Op. 21: I. Maestoso" by Slovak Philharmonic, Marian Lapsansky was released on May 24, 2011. Concerto No. 2 in F Minor for Piano and Orchestra, Op. 21: I. Maestoso appears to be safe for all ages as it is not explicit. There are a total of 19 in the song's album "Six Concertos - Two Pianists: Tchaikovksy, Chopin, Beethoven, Grieg, Kubik and Schumann". In this album, this song's track order is #10. Based on our statistics, Concerto No. 2 in F Minor for Piano and Orchestra, Op. 21: I. Maestoso's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto No. 2 in F Minor for Piano and Orchestra, Op. 21: I. Maestoso by Slovak Philharmonic, Marian Lapsansky having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orchestral Suite No.2 in B minor, BWV1067 - Badinerie | CHA Medical Center | B Minor | 2 | 10A | 116 BPM | ||
Orphee aux enfers (Orpheus in the Underworld): Orpheus in the Underworld: Can-Can (Peter's Friend) | Jacques Offenbach, Razumovsky Symphony Orchestra, Long Yu | D Major | 3 | 10B | 151 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Preliudai (Preludes): Preludias: Tranquillo | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | G Minor | 0 | 6A | 70 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude: Allegro moderato | Max Bruch, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | C Minor | 1 | 5A | 84 BPM | ||
L'Arlesienne Suite, Nr. 1: I. Prelude | Georges Bizet, Slovak Philharmonic, Anthony Bramall | C Minor | 0 | 5A | 127 BPM | ||
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM |
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