Concerto No. 2 in F Minor for Piano and Orchestra, Op. 21: I. Maestoso
Slovak Philharmonic, Marian Lapsansky
Six Concertos - Two Pianists: Tchaikovksy, Chopin, Beethoven, Grieg, Kubik and Schumann
14:06 May 24, 2011
BPM
132
Key
F Minor
Camelot
4A

Embed

Share Link

Concerto No. 2 in F Minor for Piano and Orchestra, Op. 21: I. Maestoso - Slovak Philharmonic, Marian Lapsansky Information

Acousticness
99%
Danceability
29%
Energy
12%
Instrumentalness
91%
Liveness
8%
Loudness
62%
Speechiness
4%
Valence
7%
Popularity
Loudness
-22.624 dB

Summary

"Concerto No. 2 in F Minor for Piano and Orchestra, Op. 21: I. Maestoso" by Slovak Philharmonic, Marian Lapsansky was released on May 24, 2011. Concerto No. 2 in F Minor for Piano and Orchestra, Op. 21: I. Maestoso appears to be safe for all ages as it is not explicit. There are a total of 19 in the song's album "Six Concertos - Two Pianists: Tchaikovksy, Chopin, Beethoven, Grieg, Kubik and Schumann". In this album, this song's track order is #10. Based on our statistics, Concerto No. 2 in F Minor for Piano and Orchestra, Op. 21: I. Maestoso's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Concerto No. 2 in F Minor for Piano and Orchestra, Op. 21: I. Maestoso BPM

With Concerto No. 2 in F Minor for Piano and Orchestra, Op. 21: I. Maestoso by Slovak Philharmonic, Marian Lapsansky having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.

Concerto No. 2 in F Minor for Piano and Orchestra, Op. 21: I. Maestoso Key

This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Orchestral Suite No.2 in B minor, BWV1067 - Badinerie by CHA Medical CenterOrchestral Suite No.2 in B minor, BWV1067 - BadinerieCHA Medical CenterB Minor210A116 BPM
Orphee aux enfers (Orpheus in the Underworld): Orpheus in the Underworld: Can-Can (Peter's Friend) by Jacques Offenbach, Razumovsky Symphony Orchestra, Long YuOrphee aux enfers (Orpheus in the Underworld): Orpheus in the Underworld: Can-Can (Peter's Friend)Jacques Offenbach, Razumovsky Symphony Orchestra, Long YuD Major310B151 BPM
Nocturne No. 2 in C Minor by John Field, Benjamin FrithNocturne No. 2 in C MinorJohn Field, Benjamin FrithC Minor05A67 BPM
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] by Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail JurowskiSpartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail JurowskiE Major212B123 BPM
Preliudai (Preludes): Preludias: Tranquillo by Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas DomarkasPreliudai (Preludes): Preludias: TranquilloMikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas DomarkasG Minor06A70 BPM
Solfeggietto in C minor, Wq. 117/2 by Carl Philipp Emanuel Bach, Dinara KlintonSolfeggietto in C minor, Wq. 117/2Carl Philipp Emanuel Bach, Dinara KlintonF Minor24A122 BPM
Introduction and Rondo capriccioso in A Minor by Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni WitIntroduction and Rondo capriccioso in A MinorCamille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni WitA Minor18A91 BPM
Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude: Allegro moderato by Max Bruch, Takako Nishizaki, Slovak Philharmonic, Stephen GunzenhauserViolin Concerto No. 1 in G Minor, Op. 26: I. Prelude: Allegro moderatoMax Bruch, Takako Nishizaki, Slovak Philharmonic, Stephen GunzenhauserC Minor15A84 BPM
L'Arlesienne Suite, Nr. 1: I. Prelude by Georges Bizet, Slovak Philharmonic, Anthony BramallL'Arlesienne Suite, Nr. 1: I. PreludeGeorges Bizet, Slovak Philharmonic, Anthony BramallC Minor05A127 BPM
Sorcerer's Apprentice by Paul Dukas, Orchestre Symphonique de Montréal, Kent NaganoSorcerer's ApprenticePaul Dukas, Orchestre Symphonique de Montréal, Kent NaganoD♭ Major23B123 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6138768196105957

End: 0.6186416149139404