30 Little Chorale Preludes, Op. 135a: No. 27. Was mein Gott will, das g'scheh allzeit
Max Reger, Martin Welzel
Reger, M.: Organ Works, Vol. 8
1:07 May 27, 2008
BPM
67
Key
D Minor
Camelot
7A

Embed

Share Link

30 Little Chorale Preludes, Op. 135a: No. 27. Was mein Gott will, das g'scheh allzeit - Max Reger, Martin Welzel Information

Acousticness
88%
Danceability
6%
Energy
16%
Instrumentalness
82%
Liveness
11%
Loudness
69%
Speechiness
4%
Valence
5%
Popularity
Loudness
-18.66 dB

Summary

"30 Little Chorale Preludes, Op. 135a: No. 27. Was mein Gott will, das g'scheh allzeit" by Max Reger, Martin Welzel had its release date on May 27, 2008. With This song being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Reger, M.: Organ Works, Vol. 8". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Hong Kong. 30 Little Chorale Preludes, Op. 135a: No. 27. Was mein Gott will, das g'scheh allzeit is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

30 Little Chorale Preludes, Op. 135a: No. 27. Was mein Gott will, das g'scheh allzeit BPM

With 30 Little Chorale Preludes, Op. 135a: No. 27. Was mein Gott will, das g'scheh allzeit by Max Reger, Martin Welzel having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

30 Little Chorale Preludes, Op. 135a: No. 27. Was mein Gott will, das g'scheh allzeit Key

This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Handel: Music for the Royal Fireworks, HWV 351: I. Overture (Adagio) by George Frideric Handel, Alison Balsom, Balsom Ensemble, Simon WrightHandel: Music for the Royal Fireworks, HWV 351: I. Overture (Adagio)George Frideric Handel, Alison Balsom, Balsom Ensemble, Simon WrightD♭ Major33B87 BPM
Symphony No.3 In C Minor, Op.78 Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagioCamille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James LevineA♭ Major14B118 BPM
Apres un reve, Op. 7, No. 1 (arr. I. Sztankov): 3 Songs, Op. 7: No. 1. Apres un reve (arr. for double bass and piano) by Iván Sztankov, Gabriel Fauré, Erika TóthApres un reve, Op. 7, No. 1 (arr. I. Sztankov): 3 Songs, Op. 7: No. 1. Apres un reve (arr. for double bass and piano)Iván Sztankov, Gabriel Fauré, Erika TóthA Minor08A82 BPM
Ouverture in D Major, Ouverture in D Major, "Darmstadt": HarlequinadeGeorg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-BruhlD♭ Major13B174 BPM
Simple Symphony, Op. 4: III. Sentimental Sarabande by Benjamin Britten, Camerata Nordica, Terje TonnesenSimple Symphony, Op. 4: III. Sentimental SarabandeBenjamin Britten, Camerata Nordica, Terje TonnesenG Minor06A85 BPM
Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 2, Einfach, innig by Robert Schumann, Albrecht Mayer, Markus BeckerSchumann: 3 Romances for Oboe and Piano, Op. 94: No. 2, Einfach, innigRobert Schumann, Albrecht Mayer, Markus BeckerA Major011B92 BPM
Variations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 7. Adagio by Max Reger, Marc-André HamelinVariations & Fugue on a Theme by J.S. Bach, Op. 81: Var. 7. AdagioMax Reger, Marc-André HamelinB♭ Major26B169 BPM
Symphony in E Minor, Op. 32, Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - AndanteAmy Beach, Nashville Symphony Orchestra, Kenneth SchermerhornF Major07B122 BPM
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo by Francis Poulenc, James Conlon, Rotterdam Philharmonic OrchestraPoulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppoFrancis Poulenc, James Conlon, Rotterdam Philharmonic OrchestraE♭ Major15B103 BPM
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto ModeratoOttorino Respighi, RTÉ National Symphony OrchestraD Major010B127 BPM
ISRC
HKI190814221
Label
L-M Records/RCA Records