- BPM
- 110
- Key
- C Major
- Camelot
- 8B
Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 24.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 25.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) - Adelbert von Chamisso Information
- Acousticness
- 45%
- Danceability
- 71%
- Energy
- 30%
- Instrumentalness
- 0%
- Liveness
- 33%
- Loudness
- 72%
- Speechiness
- 96%
- Valence
- 43%
- Popularity
- 0%
- Loudness
- -16.534 dB
Summary
Adelbert von Chamisso made "Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 24.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 25.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt)" available on November 3, 2017. The duration of Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 24.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 25.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) is about 3 minutes long, at 3:09. Based on our data, "Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 24.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 25.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 50 in the song's album "Peter Schlemihls wundersame Geschichte (Ungekürzt)". In this album, this song's track order is #27. In terms of popularity, Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 24.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 25.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 24.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 25.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) BPM
With Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 24.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 25.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) by Adelbert von Chamisso having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 24.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 25.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) Key
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | |
 | Elijah, Op. 70, MWV A 25 (Excerpts): No. 36, Gehe wiederum hinab! | Felix Mendelssohn, Jusung Gabriel Park, Munich Radio Orchestra, Bavarian Radio Chorus, Howard Arman | D Major | 2 | 10B | 97 BPM | |
 | Ich fahre auf zu meinem Vater, TWV 1:825: VII. Aria "Ich will alle Stunden zählen" | Georg Philipp Telemann, Vox Luminis, Freiburger Barockorchester, Lionel Meunier, William Shelton | E Minor | 1 | 9A | 73 BPM | |
 | Haugtussa, Op. 67: III. Blåbaer-li | Charlotte Hoather, George Todica | F Major | 2 | 7B | 92 BPM | |
 | Dich rühmen die Welten, TVWV 1:329: I. 01 1. Arie (Sopran): Dich rühmen die Welten | Georg Philipp Telemann, Solomon's Knot, Jonathan Sells, Les Passions de l’Âme, Meret Lüthi, Zoë Brookshaw | D♭ Major | 2 | 3B | 112 BPM | |
 | Mass in D Major, Op. 86, B. 153: V. Benedictus | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 67 BPM | |
 | 12 Romances, Op. 14: No. 11, Spring Waters | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | |
 | Kapitel 33 - Peter Schlemihls wundersame Reise | Adelbert von Chamisso, Frank Arnold | F♯ Major | 3 | 2B | 116 BPM | |
 | Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye Norman | G Major | 0 | 9B | 84 BPM | |
 | Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam Feuersinger | A♭ Minor | 2 | 1A | 96 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.126225471496582
End: 1.129939317703247