Anton Arensky, Piano Duo Genova & Dimitrov's 'Suite No. 2, Op. 23, "Silhouettes": I. Le savant (The Scholar)' came out on July 3, 2012. The duration of Suite No. 2, Op. 23, "Silhouettes": I. Le savant (The Scholar) is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Suite No. 2, Op. 23, "Silhouettes": I. Le savant (The Scholar)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 30 in Arensky: Five Suites for Two Pianos by Anton Arensky, Piano Duo Genova & Dimitrov. Suite No. 2, Op. 23, "Silhouettes": I. Le savant (The Scholar) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No. 2, Op. 23, "Silhouettes": I. Le savant (The Scholar) by Anton Arensky, Piano Duo Genova & Dimitrov is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 3 | 8B | 150 BPM | ||
Paganini variations: Variation 4 | Eugène Ysaÿe, Laurent Korcia, Haruko Ueda | A Minor | 1 | 8A | 97 BPM | ||
Debussy: String Quartet in G Minor, Op. 10, CD 91, L. 85: II. Assez vif et bien rythmé | Claude Debussy, Belcea Quartet | F♯ Major | 0 | 2B | 113 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E Major | 2 | 12B | 161 BPM | ||
Suite No. 3, Op. 33, "Variations": V. Variation 4: Menuet (XVIIIeme siecle) | Anton Arensky, Piano Duo Genova & Dimitrov | G Major | 1 | 9B | 107 BPM | ||
Variations on a Theme by Tchaikovsky, Op. 35a: V. Var. IV. Vivace | Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà | A Minor | 4 | 8A | 66 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
24 Préludes, Op. 28: No. 15 Sostenuto in D-Flat Major, C. 180 "Raindrop Prelude" | Lang Lang | D♭ Major | 0 | 3B | 134 BPM | ||
Capriccio in F-Sharp Minor, Op. 76, No. 1 | Johannes Brahms, Arcadi Volodos | D♭ Major | 1 | 3B | 69 BPM | ||
Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM |
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