"Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: I.Tradiderunt me - Et sicut gigantes - Alieni" by Tomás Luis de Victoria, The Sixteen, Harry Christophers was released on 1995. The duration of Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: I.Tradiderunt me - Et sicut gigantes - Alieni is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: I.Tradiderunt me - Et sicut gigantes - Alieni's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Victoria Tenebrae responsories by Tomás Luis de Victoria, The Sixteen, Harry Christophers. The song's track number on the album is #10 out of 18 tracks. Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: I.Tradiderunt me - Et sicut gigantes - Alieni is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: I.Tradiderunt me - Et sicut gigantes - Alieni by Tomás Luis de Victoria, The Sixteen, Harry Christophers has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tenebrae Responsories (from 'Officium Hebdomadae Sanctae'), Good Friday: Third Nocturn: I.Tradiderunt me - Et sicut gigantes - Alieni being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Isorhythmic Motets: Apostolo glorioso - Cum tua doctrina - Andreas, Christi famulus | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | C Major | 1 | 8B | 109 BPM | ||
Clemens: Ego flos campi | Jacob Clemens non Papa, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 82 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
Pesnopeniya i molitvi (Canticles and Prayers): After the Resurrection: Glory (Quiet) | Georgy Sviridov, Credo Chamber Choir, Bogdan Plish | F♯ Minor | 0 | 11A | 81 BPM | ||
Missae: Agnus Dei | Antonio Lotti, Pro Musica, Szabó Dénes | B♭ Major | 1 | 6B | 75 BPM | ||
Tenebrae Responsories - Matins Responsories for Holy Saturday: Nocturn III - Aestimatus sum | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
Four Songs of Love: IV. His Left Hand | Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt | A Minor | 0 | 8A | 69 BPM | ||
Missa Malheur me bat a 4: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F♯ Minor | 2 | 11A | 77 BPM |
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