"Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 2 - MBF Version" by Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder was released on May 1, 2020. The duration of Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 2 - MBF Version is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 2 - MBF Version's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ramin Djawadi, Max Richter's "My Brilliant Friend, Season 2 (TV Series Soundtrack)" album is number 12 out of 14. Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 2 - MBF Version is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 2 - MBF Version by Max Richter, Daniel Hope, Konzerthaus Kammerorchester Berlin, Andre de Ridder to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in G Minor | Tomaso Albinoni, Stephanie Gonley, English Chamber Orchestra | C Minor | 1 | 5A | 86 BPM | ||
Olive Opening - From "Olive Kitteridge" | Dirk Brossé, Brussels Philharmonic | C Major | 0 | 8B | 95 BPM | ||
Charles | Martin Phipps | D Minor | 0 | 7A | 117 BPM | ||
Zeyn - From "Capharnaüm" Original Motion Picture Soundtrack | Khaled Mouzanar | A♭ Major | 2 | 4B | 110 BPM | ||
The Closing of the Gates | Luke Howard, Budapest Art Orchestra | G Major | 0 | 9B | 132 BPM | ||
Jack the Ripper Stalks His Victims: MGV 1st Region | Michael Nyman Band, Royal Liverpool Philharmonic Orchestra | E Minor | 4 | 9A | 120 BPM | ||
Antarctic Triptych: III. Hut | Jabra Latham, Andrew Seymour, Tasmanian Symphony Orchestra, Greg Stephens | E♭ Major | 3 | 5B | 156 BPM | ||
Clara y Diego | Ivan Palomares | D Major | 2 | 10B | 132 BPM | ||
The Bluefield | Tatiana Lisovskaya | F♯ Major | 1 | 2B | 85 BPM | ||
Bear Story II | Luke Howard | B♭ Minor | 3 | 3A | 67 BPM |
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