天地 真理's '涙は明日に' came out on 2006. The duration of 涙は明日に is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. 涙は明日に's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 『水色の恋/涙から明日へ』+1, so we believe that "涙は明日に" is a single. In terms of popularity, 涙は明日に is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 涙は明日に by 天地 真理 is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ひとりぼっちのデート | 天地 真理 | G Major | 4 | 9B | 95 BPM | ||
ステキな恋の忘れ方 | Hiroko Yakushimaru | A Major | 10 | 11B | 140 BPM | ||
精霊流し - シングル・ヴァージョン | Grape | G Minor | 5 | 6A | 177 BPM | ||
夜汽車 | FeiFei Ou-Yang | E Minor | 7 | 9A | 128 BPM | ||
花と蝶 | Shinichi Mori | F Minor | 2 | 4A | 85 BPM | ||
さよならをするために | Billy Ban Ban | B Minor | 5 | 10A | 98 BPM | ||
たんぽぽ | Hiromi Ota | D Minor | 5 | 7A | 80 BPM | ||
大阪すずめ | Miyuki Nagai | A♭ Minor | 5 | 1A | 93 BPM | ||
越前岬 | 川中美幸 | E♭ Minor | 5 | 2A | 85 BPM | ||
イルカにのった少年 | Michiru Jo | A♭ Minor | 7 | 1A | 162 BPM |
Section: 0.9022774696350098
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