"Wagner: Lohengrin, Act 1: "Nun höret mich und achtet wohl! (Herald, Lohengrin, Frederick, Henry, Elsa, Ortrud, Chorus)" by Richard Wagner, Daniel Barenboim, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Roman Trekel, Staatskapelle Berlin was released on 1995. Since Wagner: Lohengrin, Act 1: "Nun höret mich und achtet wohl! (Herald, Lohengrin, Frederick, Henry, Elsa, Ortrud, Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 75 out of 277 in Barenboim - Complete Wagner Operas by Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra, Staatskapelle Berlin, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Wagner: Lohengrin, Act 1: "Nun höret mich und achtet wohl! (Herald, Lohengrin, Frederick, Henry, Elsa, Ortrud, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wagner: Lohengrin, Act 1: "Nun höret mich und achtet wohl! (Herald, Lohengrin, Frederick, Henry, Elsa, Ortrud, Chorus) by Richard Wagner, Daniel Barenboim, Emily Magee, Falk Struckmann, Peter Seiffert, René Pape, Roman Trekel, Staatskapelle Berlin is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 2) Introduction, Scene and Aria. "Nu, shto zhe?" - "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Verdi : Messa da Requiem : VI Quid sum miser | Giuseppe Verdi, Daniel Barenboim, Chicago Symphony Orchestra | C Minor | 0 | 5A | 75 BPM | ||
Orff: Carmina Burana, Pt. 2, In Taberna: Ego sum abbas Cucaniensis | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Christian Gerhaher, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
Rusalka, Op. 114 / Act 1: I pekne vitam | Antonín Dvořák, Franz Hawlata, Livia Aghova, Dana Buresova, Hana Minutillo, Czech Philharmonic Orchestra, Sir Charles Mackerras | A Major | 2 | 11B | 135 BPM | ||
Messa da Requiem: IIb. Sequence. Tuba mirum - IIc. Mors stupebit | Giuseppe Verdi, Georg Zeppenfeld, Sächsischer Staatsopernchor Dresden, Staatskapelle Dresden, Christian Thielemann | D♭ Minor | 2 | 12A | 112 BPM | ||
Les Contes d'Hoffmann / Act 1: Le conseiller Lindorf, morbleu! | Jacques Offenbach, Andreas Schmidt, Robert Gambill, Orchestre National De France, Seiji Ozawa | B♭ Major | 1 | 6B | 107 BPM | ||
Wagner: Tristan und Isolde, Act 1: "Tristan!... Isolde!" (Isolde, Tristan, Brangäne, Kurwenal, Chorus) | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker, Chor Der Staatsoper Berlin, Falk Struckmann, Marjana Lipovsek, Siegfried Jerusalem, Waltraud Meier | D Major | 1 | 10B | 94 BPM | ||
Symphony No. 8, Zweiter Teil: XI. Höchste Herrscherin der Welt! | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Susan Bullock, Johan Botha | E Major | 1 | 12B | 137 BPM | ||
Jenufa / Act 1: A tak bychom sli celym zivotem | Leoš Janáček, Elisabeth Söderström, Eva Randová, Marie Mrazova, Wiesław Ochman, Vaclav Zitek, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Charles Mackerras | F♯ Major | 2 | 2B | 92 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Aria. "Zdyes on, zdyes on, Yevgeni!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM |
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