George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown made "Concerto Grosso in D Minor, Op. 3, No. 5, HWV 316: II. Fuga: Allegro" available on January 1, 1988. The duration of Concerto Grosso in D Minor, Op. 3, No. 5, HWV 316: II. Fuga: Allegro is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Concerto Grosso in D Minor, Op. 3, No. 5, HWV 316: II. Fuga: Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Iona Brown's "Handel: Concerto Grosso, Op. 3" album is number 17 out of 22. On top of that, Germany appears to be the country where this track was created. Concerto Grosso in D Minor, Op. 3, No. 5, HWV 316: II. Fuga: Allegro is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Concerto Grosso in D Minor, Op. 3, No. 5, HWV 316: II. Fuga: Allegro by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto for 2 Oboes in A Minor, RV 536: II. Largo | Antonio Vivaldi, Stefan Schilli, Diethelm Jonas, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: II. Largo | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 0 | 8B | 99 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: I. (Allegro) | Johann Friedrich Fasch, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | A♭ Major | 3 | 4B | 94 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: I. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | C Major | 3 | 8B | 105 BPM | ||
Bassoon Concerto in B-Flat Major, RV 501 "La Notte": I. Largo | Antonio Vivaldi, Academy of St. Martin in the Fields (orchestra); Gustavo Núñez (bassoon); Tomo Keller (musical direc, Gustavo Núñez, Tomo Keller | B♭ Major | 0 | 6B | 182 BPM | ||
Concerto for Oboe d'amore, Strings and Continuo in A: 3. Allegro | Antonio Lotti, Heinz Holliger, I Musici | A Major | 1 | 11B | 108 BPM | ||
Tchaikovsky: Serenade For String Orchestra In C Major, Op. 48, TH.48 - 4. Finale (Tema russo): Andante - Allegro con spirito | Pyotr Ilyich Tchaikovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 3 | 9B | 140 BPM | ||
Flute Concerto in G Major, QV 5:165: II. Arioso | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | D Minor | 0 | 7A | 72 BPM | ||
Mozart, L: Toy Symphony: I. Allegro (Also Attributed to Haydn or Angerer) | Leopold Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM |
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