Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester's 'Quartet in E minor / mi mineur / e-moll: I. Adagio' came out on October 21, 2010. The duration of Quartet in E minor / mi mineur / e-moll: I. Adagio is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Quartet in E minor / mi mineur / e-moll: I. Adagio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 69 in the song's album "Telemann: Complete Tafelmusik". In this album, this song's track order is #8. Furthermore, we believe that the track originated from France. Quartet in E minor / mi mineur / e-moll: I. Adagio is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Quartet in E minor / mi mineur / e-moll: I. Adagio by Georg Philipp Telemann, Petra Mullejans, Gottfried Von Der Goltz, Freiburger Barockorchester having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto In B Flat Major For 2 Violins, Strings & Continuo, RV 524: 2. Andante | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | D Minor | 1 | 7A | 79 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
No. 2: Concerto Secondo: II. Affettuoso | Georg Philipp Telemann, Gustav Leonhardt, Barthold Kuijken, Wieland Kuijken, Sigiswald Kuijken | F Major | 0 | 7B | 72 BPM | ||
Trio Sonata in G Minor, Op. 5, No. 18, RV 72: III. Air Menuet (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | B Minor | 1 | 10A | 85 BPM | ||
Concerto No 8 in F major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | E Major | 3 | 12B | 115 BPM | ||
Trio Sonata in D Major, Op. 8 No. 8: IV. Alla breve - Adagio | Pietro Locatelli, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Sonata [Concerto IX] in A minor for recorder, 2 violins & basso continuo: III. Fuga | Alessandro Scarlatti, Petr Zejfart/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | A♭ Minor | 1 | 1A | 137 BPM | ||
Zoroastre - Loure | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | D♭ Minor | 1 | 12A | 110 BPM | ||
Concerto Grosso, Op. 6, No. 07 in B-Flat Major (HWV 325): Largo, e piano | George Frideric Handel, Academy of Ancient Music, Andrew Manze | F♯ Minor | 0 | 11A | 102 BPM | ||
Sonata I in B Minor, HWV 386, Op. 2 No. 1: III. Largo | George Frideric Handel, Academy of Ancient Music, Richard Egarr | F♯ Minor | 2 | 11A | 92 BPM |
Section: 0.8929953575134277
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