"2 Elegiac Melodies, Op. 34: No. 2, Last Spring (Våren)" by Edvard Grieg, Angela Hewitt was released on July 2, 2021. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Angela Hewitt's "Love Songs - Piano Transcriptions Without Words" album is number 14 out of 23. On top of that, United Kingdom appears to be the country where this track was created. 2 Elegiac Melodies, Op. 34: No. 2, Last Spring (Våren) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 2 Elegiac Melodies, Op. 34: No. 2, Last Spring (Våren) by Edvard Grieg, Angela Hewitt to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Polka from "The Golden Age", Op. 22b | Dmitri Shostakovich, Leif Ove Andsnes | F Major | 1 | 7B | 93 BPM | ||
10 Preludes, Op. 23: No. 10 in G-Flat Major, Largo | Sergei Rachmaninoff, Emre Yavuz | A Minor | 0 | 8A | 72 BPM | ||
32 Variations in C Minor, WoO 80: Var. 10-14 | Ludwig van Beethoven, Angela Hewitt | C Major | 1 | 8B | 135 BPM | ||
Nocturnes n°5 en ré mineur | Francis Poulenc, Alexandre Tharaud | C Minor | 1 | 5A | 97 BPM | ||
Kreisleriana, Op. 16: II. Sehr innig und nicht zu rasch | Robert Schumann, Benjamin Grosvenor | B♭ Major | 1 | 6B | 69 BPM | ||
Nocturne No. 4 in C Minor "Bal fantôme", FP 56/4 | Francis Poulenc, Piers Lane | C Major | 0 | 8B | 79 BPM | ||
Brahms - Op.117 No.1 Intermezzo E-flat major | Elena Kuschnerova | E♭ Major | 0 | 5B | 65 BPM | ||
Visions fugitives, Op. 22: XI. Con vivacità | Sergei Prokofiev, Steven Osborne | D Major | 0 | 10B | 132 BPM | ||
25 Preludes dans tous les tons majeurs et mineurs, Op. 31: No. 12 Le temps qui n'est plus: Andante | Charles-Valentin Alkan, Laurent Martin | B♭ Minor | 0 | 3A | 76 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: III. Lento | Ottorino Respighi, Konstantin Scherbakov | F♯ Minor | 0 | 11A | 66 BPM |
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