Franz Liszt, Tamás Vásáry made "Grandes Etudes de Paganini, S.141: No.3 In G Sharp Minor ("La Campanella")" available on January 1, 2003. With this song being about 5 minutes long, at 4:42, "Grandes Etudes de Paganini, S.141: No.3 In G Sharp Minor ("La Campanella")" by Franz Liszt, Tamás Vásáry is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt, Tamás Vásáry's "Liszt: Piano Works" album is number 6 out of 11. In terms of popularity, Grandes Etudes de Paganini, S.141: No.3 In G Sharp Minor ("La Campanella") is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Grandes Etudes de Paganini, S.141: No.3 In G Sharp Minor ("La Campanella") by Franz Liszt, Tamás Vásáry to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Rhapsody No.6 in D-Flat Major, S. 244 | Franz Liszt, Martha Argerich | D♭ Major | 3 | 3B | 127 BPM | ||
Lieder ohne Worte, Op. 30: 6. Allegretto tranquillo "Venetian Gondola Song" | Felix Mendelssohn, András Schiff | F♯ Minor | 0 | 11A | 135 BPM | ||
Satie: 6 Gnossiennes: No. 2, Avec étonnement | Erik Satie, Anne Queffélec | D Minor | 0 | 7A | 73 BPM | ||
12 Lieder von Franz Schubert, S. 558: No. 2, Auf dem Wasser zu singen | Franz Liszt, Murray Perahia | A♭ Major | 0 | 4B | 86 BPM | ||
Three Romances for Violin & Piano, Op. 22: III. Leidenschaftlich schnell | Clara Schumann, Nurit Stark, Cédric Pescia | G Major | 1 | 9B | 89 BPM | ||
Keyboard Sonata in D Major, Hob. XVI:33: II. Adagio | Joseph Haydn, Emanuel Ax | A Minor | 3 | 8A | 103 BPM | ||
Sérénade mélancolique, Op. 26, TH 56 for violin and orchestra | Pyotr Ilyich Tchaikovsky, Julia Fischer, Yakov Kreizberg, Russian National Orchestra | D Major | 1 | 10B | 97 BPM | ||
Brahms: 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor | Johannes Brahms, Cyprien Katsaris, Hélène Mercier | F♯ Minor | 1 | 11A | 75 BPM | ||
Suite bergamasque, L.75: 3. Clair de lune | Claude Debussy, Claudio Arrau | F Minor | 0 | 4A | 58 BPM | ||
Natha Valse, Op. 51, No. 4 | Pyotr Ilyich Tchaikovsky, Olga Scheps | F♯ Minor | 0 | 11A | 185 BPM |
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