박강성's '문밖에 있는 그대' came out on March 30, 2004. With this song being about 5 minutes long, at 4:44, "문밖에 있는 그대" by 박강성 is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in 박강성's "Live Album" album is number 2 out of 30. On top of that, South Korea appears to be the country where this track was created. In terms of popularity, 문밖에 있는 그대 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 문밖에 있는 그대 by 박강성 to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
찰랑찰랑 | 투피알 | D Major | 9 | 10B | 155 BPM | ||
이젠 사랑할 수 있어요 | 해바라기 | G Major | 3 | 9B | 111 BPM | ||
해후 | 박강성 | E Major | 3 | 12B | 136 BPM | ||
모란동백 | Na Hoon-A | D♭ Major | 4 | 3B | 80 BPM | ||
회상이 지나간 오후 Reminiscence | LEE SEUNG HWAN | G Minor | 2 | 6A | 100 BPM | ||
희야 | BOOHWAL | D Major | 5 | 10B | 133 BPM | ||
그해 겨울은... | Position | C Major | 7 | 8B | 117 BPM | ||
이별의 온도 | Yoon Jong Shin | B Minor | 4 | 10A | 199 BPM | ||
장미의 미소 | Insoo Shin | A Major | 3 | 11B | 132 BPM | ||
세월이 가면 (원곡가수 최호섭) | Byun Jin-Sub | D Major | 5 | 10B | 135 BPM |
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