"Verdi : Nabucco : Part 3 - La Profezia "Va, pensiero, sull'ali dorate" [Chorus]" by Giuseppe Verdi, Fernando Previtali, Orchestra Sinfonica di Roma della RAI was released on 1951. With this song being about 5 minutes long, at 4:32, "Verdi : Nabucco : Part 3 - La Profezia "Va, pensiero, sull'ali dorate" [Chorus]" by Giuseppe Verdi, Fernando Previtali, Orchestra Sinfonica di Roma della RAI is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 24 out of 32 in Cetra Verdi Collection: Nabucco by Giuseppe Verdi, Fernando Previtali, Orchestra Sinfonica di Roma della RAI. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Verdi : Nabucco : Part 3 - La Profezia "Va, pensiero, sull'ali dorate" [Chorus] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Verdi : Nabucco : Part 3 - La Profezia "Va, pensiero, sull'ali dorate" [Chorus] by Giuseppe Verdi, Fernando Previtali, Orchestra Sinfonica di Roma della RAI is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Il ponte sul fiume Kway: tema - From "Il ponte sul fiume Kway" | Parsifal Orchestra | F Major | 4 | 7B | 113 BPM | ||
Lassa pur chè el mond el disa | Giovanni D'Anzi | D Major | 4 | 10B | 101 BPM | ||
Barcarolo romano | Gigi Proietti | E Major | 4 | 12B | 72 BPM | ||
Parigino - Valzer | Castellina-Pasi | D Major | 6 | 10B | 187 BPM | ||
U Commissariu | Fanco Caruso | E Minor | 3 | 9A | 125 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
La forza del destino, Act III, Scene II: E s'altra prova rinvenir potessi | Giuseppe Verdi, Simone Piazzola, Matteo Armanino, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Dal balletto "lo schiaccianoci" (Fantasia) - Walzer Dei Fiori | Compagnia d'Opera Italiana Orchestra | D Major | 3 | 10B | 93 BPM | ||
Rigoletto / Act 3: "La donna è mobile" - "E là il vostr'uomo" (Duca / Sparafucile, Rigoletto) | Giuseppe Verdi, Carlo Bergonzi, Ivo Vinco, Dietrich Fischer-Dieskau, Orchestra Del Teatro Alla Scala, Milano, Rafael Kubelik | F♯ Major | 1 | 2B | 136 BPM |
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