Franz Joseph Haydn, Sir Colin Davis, London Symphony Orchestra, Ian Bostridge made "The Creation, Hob.XXI:2, Part I, No. 12: Und Gott Sprach: Es Sei'n Lichter an Der Feste" available on June 9, 2009. With The Creation, Hob.XXI:2, Part I, No. 12: Und Gott Sprach: Es Sei'n Lichter an Der Feste being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Franz Joseph Haydn, Dietrich Henschel, London Symphony Orchestra, Sir Colin Davis's "Haydn: The Creation (Die Schöpfung)" album is number 12 out of 35. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Creation, Hob.XXI:2, Part I, No. 12: Und Gott Sprach: Es Sei'n Lichter an Der Feste is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Creation, Hob.XXI:2, Part I, No. 12: Und Gott Sprach: Es Sei'n Lichter an Der Feste by Franz Joseph Haydn, Sir Colin Davis, London Symphony Orchestra, Ian Bostridge to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Monica Huggett, Rachel Beckett, Marion Scott, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 116 BPM | ||
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, The Representation of Chaos | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D♭ Major | 1 | 3B | 93 BPM | ||
Symphony No.2 In D, Op.73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 83 BPM | ||
Concerto for three violins BWV 1064R: Concerto for three violins BWV 1064R: III. Allegro | Johann Sebastian Bach, Petra Mullejans, Gottfried Von Der Goltz, Anne-Katharina Schreiber | D♭ Major | 3 | 3B | 97 BPM | ||
Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Symphony No. 2 in C Major, Hob. I:2: I. Allegro | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | C Major | 1 | 8B | 121 BPM | ||
Symphony No. 44 in E Minor, Hob.I:44, "Trauersinfonie" (Mourning): II. Menuet and trio | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | D Major | 2 | 10B | 136 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM |
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