"Kanon Pokajanen: Prayer after the Kanon" by Arvo Pärt, Cappella Romana, Alexander Lingas was released on October 13, 2023. Kanon Pokajanen: Prayer after the Kanon appears to be safe for all ages as it is not explicit. The song is number 11 out of 12 in Arvo Pärt: Odes of Repentance by Arvo Pärt, Cappella Romana, Alexander Lingas. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Kanon Pokajanen: Prayer after the Kanon is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kanon Pokajanen: Prayer after the Kanon by Arvo Pärt, Cappella Romana, Alexander Lingas is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
The Piano: The Heart Asks Pleasure First | Michael Nyman, Valentina Lisitsa | A Minor | 0 | 8A | 159 BPM | ||
The Turning Year | Roger Eno, Scoring Berlin | C Major | 0 | 8B | 72 BPM | ||
Rêverie, L. 68 (Arr. by Badzura) | Claude Debussy, Daniel Hope, Zürcher Kammerorchester | F Major | 1 | 7B | 82 BPM | ||
Josquiniana: I. Helas madame | Charles Wuorinen, Brentano String Quartet | D Minor | 0 | 7A | 101 BPM | ||
O Virtus Sapientae (Arr. M. Beiser for Cello & Electronics) | Hildegard von Bingen, Maya Beiser | A Minor | 3 | 8A | 77 BPM | ||
6.5 Gavottes | Peter Gregson, Richard Harwood, Reinoud Ford, Tim Lowe, Ben Chappell, Katherine Jenkinson | A Major | 2 | 11B | 139 BPM | ||
Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 3 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | B♭ Major | 3 | 6B | 145 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Dew and Spiderwebs | Hauschka | C Major | 2 | 8B | 94 BPM |
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