Astor Piazzolla, Horacio Ferrer's 'La Última Grela' came out on April 28, 1970. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 10 in Edición Crítica: En Persona by Astor Piazzolla, Horacio Ferrer. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. La Última Grela is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Última Grela by Astor Piazzolla, Horacio Ferrer is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Asturia | Andrés Segovia | B Major | 4 | 1B | 95 BPM | ||
Scaramouche Suite: 3. Brazileira | Darius Milhaud, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | F Major | 4 | 7B | 92 BPM | ||
María de Buenos Aires, Pt. 1: Tema de María | Astor Piazzolla, Lothar Hensel, Mariska van der Sande, Mikhail Ovrutsky, Grigori Alumyan, Róbert Grondžel, Christian Kiefer, Thomas Wise, Bonn Beethoven Orchestra, Christopher Sprenger | A Major | 1 | 11B | 128 BPM | ||
La Paloma | Sebastián Iradier, The Tango Project | D Major | 1 | 10B | 85 BPM | ||
Toccata & Fugue in D Minor, BWV 566: II. Fugue - Arranged by Charl du Plessis | Johann Sebastian Bach, Charl du Plessis Trio | D Minor | 5 | 7A | 153 BPM | ||
Apariciones: Valses Romanticos: Sensitive | Enrique Granados, Douglas Riva | C Minor | 0 | 5A | 143 BPM | ||
Chôros No. 1, W161 | Heitor Villa-Lobos, Mickael Viegas | E Minor | 2 | 9A | 93 BPM | ||
Uno | Luis Salinas | F Major | 1 | 7B | 92 BPM | ||
Solfeggio in C Minor | Carl Philipp Emanuel Bach, Eugen Cicero | C Minor | 6 | 5A | 150 BPM | ||
Libertango - Arr. for Guitar and Strings by Dmitry Borodaev | Astor Piazzolla, Artyom Dervoed, Yuri Medianik, Sergey Shamov, Vladislav Lavrik, David Molard Soriano, Russian National Orchestra | A Minor | 5 | 8A | 141 BPM |
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