"María de Buenos Aires, Part I, Scene 1: "Alevare" (El Duende)" by Astor Piazzolla, Martina Belli, Rubén Peloni, Daniel Bonilla-Torres, Orchestra La Corelli, Jacopo Rivani, Davide Vendramin was released on April 28, 2023. María de Buenos Aires, Part I, Scene 1: "Alevare" (El Duende) is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The song is number 1 out of 17 in Astor Piazzolla: María de Buenos Aires (Tango Operita) by Astor Piazzolla, Davide Vendramin, Jacopo Rivani, Orchestra La Corelli. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, María de Buenos Aires, Part I, Scene 1: "Alevare" (El Duende)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of María de Buenos Aires, Part I, Scene 1: "Alevare" (El Duende) by Astor Piazzolla, Martina Belli, Rubén Peloni, Daniel Bonilla-Torres, Orchestra La Corelli, Jacopo Rivani, Davide Vendramin is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Weeping Willows | Charlie Chaplin, Philippe Quint | D Minor | 1 | 7A | 91 BPM | ||
Bach, JS / Arr. Braga: Two-Part Inventions: No. 8 in F Major, BWV 779 | Johann Sebastian Bach, Camerata Brasil, Henrique Cazes | F Major | 3 | 7B | 107 BPM | ||
Alfonsina y el mar (Arr. R. Dyens for Guitar) | Ariel Ramírez, Raphaël Feuillâtre | E Minor | 0 | 9A | 78 BPM | ||
Milonga | Alberto Ginastera, Xavier De Maistre | F Major | 0 | 7B | 115 BPM | ||
Poème de Paul Verlaine: L'heure exquise | Reynaldo Hahn, Marie-Nicole Lemieux | B Major | 0 | 1B | 94 BPM | ||
Hungarian Dance No.5 in G Minor, WoO 1 No.5 (Arr. For Violin) | Johannes Brahms, Lakatos | G Minor | 3 | 6A | 93 BPM | ||
La Bella Cubana | Camerata Romeu, José White, Zenaida Romeu | B Minor | 2 | 10A | 121 BPM | ||
Patio De Antano | Trio Garufa | F Minor | 3 | 4A | 96 BPM | ||
The Four Seasons of Buenos Aires: Otoño Porteño - "Autumn": Otoño Porteño - "Autumn" - Arranged by Leonid Desyatnikov | Astor Piazzolla, Lara St. John, Simón Bolívar Youth Orchestra of Venezuela, Edgar A. Calderon, Eduardo Marturet | D Minor | 1 | 7A | 134 BPM | ||
Moonlight Serenade | Edward Miller, Janne Saksala, Die 12 Cellisten der Berliner Philharmoniker | F Minor | 1 | 4A | 73 BPM |
Section: 0.5606942176818848
End: 0.5651876926422119