"Sinfonietta: II. Pastoral Nocturne" by Ingolf Dahl, Pat Harbison, Alan Siebert, Marie Speziale, Cincinnati Wind Symphony, Eugene Migliaro Corporon was released on January 1, 1991. Since Sinfonietta: II. Pastoral Nocturne is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 11 in Cincinnati Wind Symphony: Emblems by Cincinnati Wind Symphony, Eugene Migliaro Corporon. Sinfonietta: II. Pastoral Nocturne is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonietta: II. Pastoral Nocturne by Ingolf Dahl, Pat Harbison, Alan Siebert, Marie Speziale, Cincinnati Wind Symphony, Eugene Migliaro Corporon is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tuba Suite: III. Allegro con brio | Don Haddad, David Zerkel, Paolo Andre Gualdi | E♭ Major | 0 | 5B | 135 BPM | ||
Molly on the Shore, BFMS 23 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | D♭ Major | 3 | 3B | 110 BPM | ||
Quintet No. 1 in B-Flat Minor: I. Moderato | Victor Ewald, Center City Brass Quintet | B♭ Minor | 0 | 3A | 68 BPM | ||
Tableaux de Provence (arr. for saxophone and orchestra): III. La Boumanio | Paule Maurice, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | C Minor | 2 | 5A | 147 BPM | ||
Postcard | Frank Ticheli, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Minor | 3 | 1A | 138 BPM | ||
Der Schwanendreher - Concerto For Viola & Small Orchestra: 1. "Zwischen Berg und tiefem Tal" | Paul Hindemith, Daniel Benyamini, Orchestre de Paris, Daniel Barenboim | G Major | 2 | 9B | 97 BPM | ||
Concerto for Alto Saxophone and Wind Orchestra: I. Recitative | Ingolf Dahl, University of Michigan Symphony Band, Timothy McAllister, Michael Haithcock | F Major | 2 | 7B | 63 BPM | ||
Candide Suite (arr. C. Grundman for wind band): I. The Best of All Possible Worlds | Leonard Bernstein, Clare Grundman, University of South Carolina Wind Ensemble, Scott Weiss | E♭ Major | 2 | 5B | 127 BPM | ||
vaiation 2 | Ingolf Dahl, Laurel Zucker | D Minor | 0 | 7A | 100 BPM | ||
Courtly Airs and Dances: V. Sarabande | Ron Nelson, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 0 | 5B | 79 BPM |
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