"Suite dalecarlienne: I. Preludium. Dimanche au village" by Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg was released on January 1, 2005. The duration of Suite dalecarlienne: I. Preludium. Dimanche au village is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Suite dalecarlienne: I. Preludium. Dimanche au village's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg's "Munktell: Orchestral Works" album is number 7 out of 10. On top of that, Sweden appears to be the country where this track was created. Suite dalecarlienne: I. Preludium. Dimanche au village is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite dalecarlienne: I. Preludium. Dimanche au village by Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Die Harmonie der Welt Symphony: II. Musica Humana | Paul Hindemith, Yan Pascal Tortelier, BBC Philharmonic Orchestra | D♭ Major | 0 | 3B | 74 BPM | ||
Slavonic Dances, Series I., Op. 46, B. 83: IV. in F major. Tempo di menuetto | Antonín Dvořák, Prague Symphony Orchestra, Tomáš Brauner | A♭ Major | 0 | 4B | 131 BPM | ||
10 Melodies: No. 2. Dans le lointain des bois | Helena Munktell, Märta Schéle, Olof Höjer | E♭ Major | 0 | 5B | 150 BPM | ||
25 Études faciles et progressives, Op. 100: No. 1, La candeur | Franz Burgmüller, The Gerst Ensemble | C Major | 0 | 8B | 97 BPM | ||
Piano Trio in G Major, CD 5: I. Andantino con moto – Allegro appassionato | Claude Debussy, Florestan Trio | C Major | 1 | 8B | 96 BPM | ||
Moonlight Sonata, Op. 27 No. 2 (Ludwig Van Beethoven) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | ||
Symphony No. 4 in D Minor: II. Andante cantabile | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | B♭ Major | 0 | 6B | 63 BPM | ||
Violin Concerto in D Minor "Accademico": III. Presto | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Jack Liebeck | G Major | 1 | 9B | 79 BPM | ||
Symphony No. 5 in E-flat major, Op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius, Orchestre Métropolitain, Yannick Nézet-Séguin | G Major | 0 | 9B | 129 BPM |
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