"Swan Lake, Op.20, TH.12 / Act 4: No.25 Entr'acte (Moderato)" by Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1992. With Swan Lake, Op.20, TH.12 / Act 4: No.25 Entr'acte (Moderato) being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #13. Swan Lake, Op.20, TH.12 / Act 4: No.25 Entr'acte (Moderato) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op.20, TH.12 / Act 4: No.25 Entr'acte (Moderato) by Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Minkus: Don Quixote, Act 3: II. Adage | Ludwig Minkus, Robert Irving, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 57 BPM | ||
The Four Seasons - Summer in G Minor, RV. 315: I. Allegro non molto – Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | G Minor | 2 | 6A | 147 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act III: No. 22, Neapolitan Dance | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 160 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Allegro molto | Wolfgang Amadeus Mozart, Capella Istropolitana, Barry Wordsworth | G Minor | 2 | 6A | 109 BPM | ||
Sonata For Piano And Violin In E Minor, K.304: 2. Tempo di minuetto | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 1 | 9A | 124 BPM | ||
Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | A Minor | 0 | 8A | 81 BPM | ||
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM |
Section: 0.6953978538513184
End: 0.7012062072753906