Matthäus-Passion, BWV 244, Seconda parte: Nr.58. Und da sie an die Stätte kamen (Evangelista)
Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien
J. S. Bach: Matthäus-Passion, BWV 244
3:29 March 11, 2022
BPM
116
Key
D♭ Major
Camelot
3B

Embed

Share Link

Matthäus-Passion, BWV 244, Seconda parte: Nr.58. Und da sie an die Stätte kamen (Evangelista) - Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien Information

Acousticness
94%
Danceability
41%
Energy
23%
Instrumentalness
0%
Liveness
8%
Loudness
71%
Speechiness
5%
Valence
22%
Popularity
Loudness
-17.547 dB

Summary

Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien's 'Matthäus-Passion, BWV 244, Seconda parte: Nr.58. Und da sie an die Stätte kamen (Evangelista)' had a release date set for March 11, 2022. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Stéphane Degout, Sabine Devieilhe, Lucile Richardot, Christian Immler, Reinoud Van Mechelen, Maitrise De Radio France's "J. S. Bach: Matthäus-Passion, BWV 244" album is number 4 out of 68. On top of that, France appears to be the country where this track was created. In terms of popularity, Matthäus-Passion, BWV 244, Seconda parte: Nr.58. Und da sie an die Stätte kamen (Evangelista) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Matthäus-Passion, BWV 244, Seconda parte: Nr.58. Und da sie an die Stätte kamen (Evangelista) BPM

We consider the tempo marking of Matthäus-Passion, BWV 244, Seconda parte: Nr.58. Und da sie an die Stätte kamen (Evangelista) by Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Matthäus-Passion, BWV 244, Seconda parte: Nr.58. Und da sie an die Stätte kamen (Evangelista) Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 2. Adagio (performed on two pianos) by Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida ThompsonConcerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060: 2. Adagio (performed on two pianos)Johann Sebastian Bach, Lucas Jussen, Arthur Jussen, Amsterdam Sinfonietta, Candida ThompsonC Minor05A82 BPM
Papillon, Op. 77 by Gabriel Fauré, Yo-Yo Ma, Kathryn StottPapillon, Op. 77Gabriel Fauré, Yo-Yo Ma, Kathryn StottA Major111B143 BPM
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) by Robert Schumann, Martin James BartlettWidmung, Op. 25 No. 1 (Arr. Franz Liszt)Robert Schumann, Martin James BartlettA♭ Major04B74 BPM
Adagio in F, H.XVII No.9 by Franz Joseph Haydn, Alfred BrendelAdagio in F, H.XVII No.9Franz Joseph Haydn, Alfred BrendelF Major07B71 BPM
Brandenburg Concerto No. 1 in F BWV1046: I. [Allegro] by Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of EnlightenmentBrandenburg Concerto No. 1 in F BWV1046: I. [Allegro]Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of EnlightenmentE Major412B172 BPM
Goldberg Variations, BWV 988: Aria da capo by Johann Sebastian Bach, Glenn GouldGoldberg Variations, BWV 988: Aria da capoJohann Sebastian Bach, Glenn GouldG Major09B113 BPM
Cello Concerto in C Major, RV 398: II. Largo by Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas KraemerCello Concerto in C Major, RV 398: II. LargoAntonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas KraemerA Minor08A115 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: I. - AllegroCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachC Minor45A106 BPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78Felix Mendelssohn, Jan LisieckiG Minor06A168 BPM
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre by François Couperin, Iddo Bar-ShaïLe Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livreFrançois Couperin, Iddo Bar-ShaïC Major38B145 BPM
ISRC
FR7JM2135040
Label
L-M Records/RCA Records