"Prologue to Indiana Jones and the Dial of Destiny" by John Williams was released on June 28, 2023. Prologue to Indiana Jones and the Dial of Destiny is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The track order of this song in John Williams's "Indiana Jones and the Dial of Destiny (Original Motion Picture Soundtrack)" album is number 1 out of 18. On top of that, United States appears to be the country where this track was created. In terms of popularity, Prologue to Indiana Jones and the Dial of Destiny is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prologue to Indiana Jones and the Dial of Destiny by John Williams to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blanc's Tale, Pt. II | Nathan Johnson | G Major | 2 | 9B | 101 BPM | ||
Standing Prayer | Carter Burwell | C Major | 4 | 8B | 83 BPM | ||
Dinotopia Main Theme | Trevor Jones | D Major | 2 | 10B | 116 BPM | ||
What's This Really All About? | John Ottman | C Major | 1 | 8B | 180 BPM | ||
Citadel (Main Title Theme) | Alex Belcher | B♭ Minor | 3 | 3A | 137 BPM | ||
Into the Singularity | Benjamin Wallfisch | C Major | 4 | 8B | 142 BPM | ||
Batdoneon | Benjamin Wallfisch | A♭ Major | 4 | 4B | 84 BPM | ||
No Ticket | John Williams | A♭ Minor | 3 | 1A | 89 BPM | ||
She's Not Real | Hans Zimmer | B♭ Major | 4 | 6B | 51 BPM | ||
Centurion | Ilan Eshkeri | D♭ Minor | 1 | 12A | 86 BPM |
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