"Chiran Bushi - Instrumental" by Michio Mamiya, Yo-Yo Ma & The Silk Road Ensemble was released on 1984. With this song being about 5 minutes long, at 4:30, "Chiran Bushi - Instrumental" by Michio Mamiya, Yo-Yo Ma & The Silk Road Ensemble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Yo-Yo Ma's "Japanese Melodies (Remastered)" album is number 10 out of 10. On top of that, United States appears to be the country where this track was created. Chiran Bushi - Instrumental is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chiran Bushi - Instrumental by Michio Mamiya, Yo-Yo Ma & The Silk Road Ensemble to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Birds In Warped Time II | Somei Satoh, Anne Akiko Meyers, Li Jian, Piano | B Minor | 0 | 10A | 135 BPM | ||
Serenade in E Minor, Op. 20: II. Larghetto | Edward Elgar, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 0 | 8B | 133 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Isuzugawa “The Holy River of Isuzu” | Satomi Saeki, Michio Miyagi | D Minor | 3 | 7A | 73 BPM | ||
Le Carnaval des Animaux, R. 125: VII. Aquarium | Camille Saint-Saëns, Ensemble Musique Oblique | A Minor | 0 | 8A | 127 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Haru no Umi (The Sea in Spring) | Yamato Ensemble | A Major | 1 | 11B | 82 BPM | ||
Heavenly Voice II (Alternative Version) | Joshua Bell | E♭ Major | 0 | 5B | 81 BPM | ||
The Garden Meeting | John Williams, Yo-Yo Ma, Itzhak Perlman | E Minor | 1 | 9A | 86 BPM |
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