Gaetano Donizetti, Orchestra Del Teatro Alla Scala, Milano, Carlo Sabajno, Adelaide Saraceni, Ernesto Badini's 'Don Pasquale, IGD 22, Act III: "Parto adunque" (Norina, Don Pasquale)' came out on June 1, 1996. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 30 in DONIZETTI: DON PASQUALE by Gaetano Donizetti, Carlo Sabajno, Orchestra Del Teatro Alla Scala, Milano. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Don Pasquale, IGD 22, Act III: "Parto adunque" (Norina, Don Pasquale)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Don Pasquale, IGD 22, Act III: "Parto adunque" (Norina, Don Pasquale) by Gaetano Donizetti, Orchestra Del Teatro Alla Scala, Milano, Carlo Sabajno, Adelaide Saraceni, Ernesto Badini is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème: Act I: Mi chiamano Mimì | Giacomo Puccini, Montserrat Caballé, Plácido Domingo, Sir Georg Solti, London Philharmonic Orchestra | D Major | 0 | 10B | 169 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Le Cid (1997 Digital Remaster): De cet affreux combat....Pleurez, mes yeux | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | B Minor | 1 | 10A | 83 BPM | ||
Gounod: Roméo et Juliette, CG 9, Act 1: No. 3 "Ah! Je veux vivre dans le rêve" (Juliette) | Charles Gounod, Diana Damrau, Munich Radio Orchestra | F Major | 1 | 7B | 78 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: Voyez-les! regards impudents....Dans l'air nous suivons des yeux (Dragons/Cigarières) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | E Major | 1 | 12B | 85 BPM | ||
Manon Lescaut: Act I: Donna non vidi mai simile a questa! | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
Questa o quella | Mario del Monaco | D♭ Major | 3 | 3B | 98 BPM | ||
Lucia di Lammermoor / Act 3: "Fra poco a me ricovero" | Gaetano Donizetti, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 1 | 6B | 120 BPM | ||
Andante in F Minor | Lajos Lencsés, Gaetano Donizetti, Stuttgart Arcata Chamber Orchestra, Patrick Strub | F Minor | 1 | 4A | 63 BPM | ||
L'elisir d'amore / Act 1: "Voglio dire, lo stupendo...Va mortale fortunato | Gaetano Donizetti, Luciano Pavarotti, Spiro Malas, English Chamber Orchestra, Richard Bonynge | G Major | 3 | 9B | 112 BPM |
Section: 0.6898815631866455
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