Igor Stravinsky, Christian Elsner, Rudolf Rosen, SWR Vokalensemble Stuttgart, WDR Sinfonieorchester Köln's 'Canticum sacrum ad honorem Sancti Marci nominis: Euntes in mundum' came out on September 1, 2008. With Canticum sacrum ad honorem Sancti Marci nominis: Euntes in mundum being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Stravinsky, I.: Canticum Sacrum / Agon / Requiem Canticles". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. In terms of popularity, Canticum sacrum ad honorem Sancti Marci nominis: Euntes in mundum is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Canticum sacrum ad honorem Sancti Marci nominis: Euntes in mundum by Igor Stravinsky, Christian Elsner, Rudolf Rosen, SWR Vokalensemble Stuttgart, WDR Sinfonieorchester Köln having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Crucifixus (8vv) | Antonio Lotti, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest | C Minor | 2 | 5A | 86 BPM | ||
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Passacaglia from 'Peter Grimes' Op. 33b | Royal Liverpool Philharmonic Orchestra, Libor Pešek | C Major | 0 | 8B | 87 BPM | ||
Six Pieces For Orchestra, Op. 6 - Original Version (1909): I. Etwas bewegt | Anton Webern, Berliner Philharmoniker, Pierre Boulez | B Major | 0 | 1B | 167 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
Hymne au soleil | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 131 BPM | ||
Stabat Mater, FP 148: 9. Sancta mater | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | B♭ Minor | 1 | 3A | 84 BPM | ||
Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Ewa Podles, Cracow Boys' Choir, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 1 | 8B | 78 BPM | ||
Le baiser de la fee: Divertimento (arr. S. Dushkin for violin and piano): I. Sinfonia | Samuel Dushkin, Igor Stravinsky, Jennifer Frautschi, Marta Aznavoorian | D Minor | 1 | 7A | 116 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Teil. Hymnus. Veni, creator spiritus! | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | D Major | 2 | 10B | 75 BPM |
Section: 0.6537339687347412
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