"Bartók / Arr. Székely for Violin and Piano: 6 Romanian Folk Dances, Sz. 56: No. 3, Pê-loc" by Béla Bartók, Vadim Repin was released on August 22, 2006. With Bartók / Arr. Székely for Violin and Piano: 6 Romanian Folk Dances, Sz. 56: No. 3, Pê-loc being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 109 in the song's album "The Collected Recordings of Vadim Repin". In this album, this song's track order is #36. Bartók / Arr. Székely for Violin and Piano: 6 Romanian Folk Dances, Sz. 56: No. 3, Pê-loc is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Bartók / Arr. Székely for Violin and Piano: 6 Romanian Folk Dances, Sz. 56: No. 3, Pê-loc by Béla Bartók, Vadim Repin having a BPM of 38 with a half-time of 19 BPM and a double-time of 76 BPM, we would consider this track to have a Grave (very slow) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op.30: No. 6. Allegretto In F Sharp Minor, MWV U 110 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | F♯ Minor | 0 | 11A | 169 BPM | ||
Música callada, Book 1: No. 3, Placide | Federico Mompou, Lilit Grigoryan | B♭ Major | 1 | 6B | 70 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Bluebeard's Castle, Op. 11, Sz. 48: Lásd a régi asszonyokat (7th Door) | Béla Bartók, Gustav Belacek, Andrea Meláth, Bournemouth Symphony Orchestra, Marin Alsop | A Major | 1 | 11B | 110 BPM | ||
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
24 Preludes, Op. 11: No. 11 in B Major | Alexander Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 74 BPM | ||
Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM |
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