"Vespers for a New Dark Age: III. Interlude 1" by Missy Mazzoli, Victoire was released on March 31, 2015. The duration of Vespers for a New Dark Age: III. Interlude 1 is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Vespers for a New Dark Age: III. Interlude 1's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Missy Mazzoli, Victoire, Glenn Kotche's "Missy Mazzoli: Vespers for a New Dark Age" album is number 3 out of 9. On top of that, United States appears to be the country where this track was created. Based on our statistics, Vespers for a New Dark Age: III. Interlude 1's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vespers for a New Dark Age: III. Interlude 1 by Missy Mazzoli, Victoire to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pärt: Für Lennart in memoriam | Arvo Pärt, Renaud Capuçon, Orchestre de Chambre de Lausanne | D Minor | 2 | 7A | 80 BPM | ||
Return | Rob Tunstall | F♯ Minor | 1 | 11A | 60 BPM | ||
Snider: Mass for the Endangered: Kyrie | Sarah Kirkland Snider, Gallicantus, Gabriel Crouch | F♯ Minor | 1 | 11A | 78 BPM | ||
Love Token | Elena Kats-Chernin, Tamara Anna Cislowska | C Major | 3 | 8B | 112 BPM | ||
Partita for 8 Singers: No. 1. Allemande | Caroline Shaw, Roomful of Teeth, Brad Wells | F♯ Minor | 3 | 11A | 138 BPM | ||
Song from the Uproar: You Are the dust | Missy Mazzoli, Abby Fischer, Celine Mogielnicki, Amelia Watkins, Kate Maroney, Tomas Cruz, Peter Stewart, Now Ensemble, Steven Osgood | A♭ Major | 0 | 4B | 72 BPM | ||
Drømte mig en drøm (Arr. For String Quartet) | Traditional, Danish String Quartet | G Minor | 0 | 6A | 127 BPM | ||
In a Landscape | John Cage, Raffaele Grimaldi | D Minor | 3 | 7A | 78 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Paul O'Dette | D Minor | 2 | 7A | 87 BPM | ||
Proving Up: Epilogue (All That's Required) | Missy Mazzoli, John Moore, Talise Trevigne, Abigail Nims, Cree Carrico, Andrew Harris, International Contemporary Ensemble, Christopher Rountree | D♭ Major | 3 | 3B | 75 BPM |
Section: 0.5997865200042725
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