- BPM
- 164
- Key
- E Minor
- Camelot
- 9A
Solomon HWV 67 / Act 3: "Pious king" - George Frideric Handel, Peter Harvey, Gabrieli, Paul McCreesh Information
- Acousticness
- 93%
- Danceability
- 25%
- Energy
- 12%
- Instrumentalness
- 0%
- Liveness
- 39%
- Loudness
- 55%
- Speechiness
- 7%
- Valence
- 35%
- Popularity
- 2%
- Loudness
- -27.025 dB
Summary
George Frideric Handel, Peter Harvey, Gabrieli, Paul McCreesh's 'Solomon HWV 67 / Act 3: "Pious king"' had a release date set for January 1, 1999. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Solomon HWV 67 / Act 3: "Pious king"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Gabrieli, Paul McCreesh's "Handel: Solomon HWV 67" album is number 12 out of 63. The popularity of Solomon HWV 67 / Act 3: "Pious king" is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Solomon HWV 67 / Act 3: "Pious king" BPM
We consider the tempo marking of Solomon HWV 67 / Act 3: "Pious king" by George Frideric Handel, Peter Harvey, Gabrieli, Paul McCreesh to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
Solomon HWV 67 / Act 3: "Pious king" Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | |
 | Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto | Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment | D Major | 0 | 10B | 81 BPM | |
 | Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: I. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | D Minor | 1 | 7A | 129 BPM | |
 | 3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | |
 | Concerto in E Minor: II. Vivace | Benedetto Marcello, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 3 | 2A | 117 BPM | |
 | In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | |
 | Samson HWV57: Let the bright Seraphim | George Frideric Handel, John Milton, Newburgh Hamilton, Alison Balsom, English National Opera Orchestra | D Major | 1 | 10B | 110 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records