On November 4, 2022, the song "Sonata No. 34 in sol maggiore. Allegro (Transcr. and embellishments by Luca Astolfoni Fossi)" was released by Domenico Cimarosa, Claudio Ferrarini. With Sonata No. 34 in sol maggiore. Allegro (Transcr. and embellishments by Luca Astolfoni Fossi) being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 31 in Domenico Cimarosa: The Complete Work of the 85 Piano Sonatas, Book 2 (Transcr. and embellishments by Luca Astolfoni Fossi) by Domenico Cimarosa, Claudio Ferrarini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Based on our statistics, Sonata No. 34 in sol maggiore. Allegro (Transcr. and embellishments by Luca Astolfoni Fossi)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonata No. 34 in sol maggiore. Allegro (Transcr. and embellishments by Luca Astolfoni Fossi) by Domenico Cimarosa, Claudio Ferrarini is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Lied ohne Worte (Song without Words) No. 6 in G Minor, Op. 19, No. 6, "Venezianisches Gondellied" (Venetian Gondola Song) | Felix Mendelssohn, Péter Nagy | G Minor | 0 | 6A | 72 BPM | ||
L'Armida immaginaria: Act I Scene 8: Aria: Un foco cosi bello (Tisbea) | Domenico Cimarosa, Alla Simonischvili, Anna Rosa Peraino, Giovanna Donadini, Domenico Colaianni, Piero Guarnera, Simon Edwards, Massimiliano Chiarolla, Bari Teatro Petruzzelli Chorus, Catania Teatro Massimo Bellini Orchestra, Eric Hull | B♭ Major | 1 | 6B | 143 BPM |
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