Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Strophes "Premiers transports que nul n'oublie!" - Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, London Symphony Chorus, Daniela Barcellona Information

Acousticness: 96%
Danceability: 19%
Energy: 3%
Instrumentalness: 0%
Liveness: 16%
Loudness: 46%
Speechiness: 5%
Valence: 3%
Popularity: 3%
Loudness: -32.485 dB

Summary

"Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Strophes "Premiers transports que nul n'oublie!"" by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, London Symphony Chorus, Daniela Barcellona was released on November 30, 2018. Since Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Strophes "Premiers transports que nul n'oublie!" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 217 in Berlioz Odyssey: The Complete Colin Davis Recordings by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis. Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Strophes "Premiers transports que nul n'oublie!" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Strophes "Premiers transports que nul n'oublie!" BPM

The tempo marking of Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Strophes "Premiers transports que nul n'oublie!" by Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, London Symphony Chorus, Daniela Barcellona is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Roméo et Juliette, Op. 17, H. 79, Pt. 1: No. 1, Prologue. Strophes "Premiers transports que nul n'oublie!" Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
L'Arlésienne Suite No.1: Adagietto	Georges Bizet, Berliner Philharmoniker, Herbert von Karajan	F Major	0	7B	112 BPM
L'enfance du Christ, Op. 25: Part III: The Arrival At Sais - Scene 3 - Epilogue. Narrator, Chorus	Hector Berlioz, Fernand Bernardi, Antoine Garcin, Michèle Lagrange, Michel Piquemal, Jean-Louis Serre, Etienne Vandier, Jean-Luc Viala, Ile de France Vittoria Regional Choir, Orchestre National de Lille, Jean-Claude Casadesus	D♭ Minor	1	12A	58 BPM
The Firebird: Scene 1: The Firebird's Lullaby	Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons	B Major	0	1B	117 BPM
Symphony No. 41 in C Major, K. 551 'Jupiter': IV. Molto Allegro	Wolfgang Amadeus Mozart, Budapest Festival Orchestra, Iván Fischer	C Major	3	8B	138 BPM
Sibelius: Finlandia, Op. 26	Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra	A♭ Major	1	4B	150 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	C Major	1	8B	68 BPM
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo	Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík	G Major	2	9B	141 BPM
Les Troyens, Op. 29, H 133, Act I: No. 11. "De mes sens éperdus (Marche troyenne)"	Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis, Petra Lang	B♭ Major	2	6B	72 BPM
Grande messe des morts, Op. 5, "Requiem": Quid sum miser	Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington	B Major	0	1B	90 BPM
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	G Major	2	9B	90 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8036596775054932

End: 0.808840274810791