"Ich höre Harfenschlag (Tannhäuser)" by Leo Slezak, Orchester der Staatsoper was released on October 1, 2006. Ich höre Harfenschlag (Tannhäuser) appears to be safe for all ages as it is not explicit. The track order of this song in Leo Slezak's "Leo Slezak singt" album is number 30 out of 35. On top of that, Austria appears to be the country where this track was created. Ich höre Harfenschlag (Tannhäuser) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ich höre Harfenschlag (Tannhäuser) by Leo Slezak, Orchester der Staatsoper to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Pêcheurs de perles: O lumière sainte (Leïla, Nadir, Zurga) | Georges Bizet, Janine Micheau/Nicolai Gedda/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'Opera Comique | G Major | 3 | 9B | 84 BPM | ||
Donizetti: Lucia di Lammermoor, Act 2: "Per te d'immenso giubilo ... Per poco fra la tenebre" (Chorus, Arturo) | Gaetano Donizetti, Valiano Natali, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Die Lustige Witwe: Es lebt eine Vilja, ein Waldmägdelein (Vilja-Lied / Act 2) [Léon & Stein] | Franz Lehár, Lucia Popp, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Lincke: Frau Luna: "Schlösser, die im Monde liegen" (Marie) | Paul Lincke, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Meyerbeer: Les Huguenots, Act 1: "Plus blanche que la blanche hermine" (Raoul, Chorus) | Giacomo Meyerbeer, Pene Pati, Chœur de l'Opéra National de Bordeaux, Stéphane Rougier, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM | ||
Die lustige Witwe, Act III: Finale. "Jetzt gehn wir zu Maxim" (Ensemble, Chor) | Franz Lehár, Hamburger Rundfunkorchester, Wilhelm Stephan, Joseph Olah, Anneliese Rothenberger, Rudolf Schock, Elfride Trötschel, Alfred Pfeifle, Otto Albrecht, Fritz Göllnitz, Jacques Offenbach, Reinhold Luttjohann, Jo Wegener, Hamburger Rundfunkchor | D Major | 6 | 10B | 81 BPM | ||
La Gioconda, Act II, Scene 4: Cielo e mar! | Amilcare Ponchielli, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
Myrthen, Op. 25: No. 7. Die Lotosblume | Robert Schumann, Leo Slezak, Studio pianist | F Minor | 1 | 4A | 79 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Am stillen Herd (Stolzing) | Richard Wagner, Leo Slezak, Manfred Gurlitt Orchestra, Manfred Gurlitt | E Major | 1 | 12B | 172 BPM |
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