"Canto ostinato (version for 2 pianos): Section 35" by Simeon ten Holt, Jeroen van Veen, Sandra van Veen was released on September 1, 2008. The duration of Canto ostinato (version for 2 pianos): Section 35 is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Canto ostinato (version for 2 pianos): Section 35's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Simeon ten Holt: Canto ostinato". In this album, this song's track order is #8. Based on our statistics, Canto ostinato (version for 2 pianos): Section 35's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Canto ostinato (version for 2 pianos): Section 35 by Simeon ten Holt, Jeroen van Veen, Sandra van Veen having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Third Theme | Kees Wieringa, Arielle Vernède, Gerard Bouwhuis, Lotte Bovi, Mondrian Quartet, Polo de Haas, Simeon ten Holt | E♭ Minor | 2 | 2A | 156 BPM | ||
Devotions (String Quartet No 3): III. | Edmund Finnis, Solem Quartet | A Minor | 0 | 8A | 77 BPM | ||
Ogives: 1. | Erik Satie, Reinbert de Leeuw | E Minor | 0 | 9A | 131 BPM | ||
Piano Album I: A Sarabande for the Only Jim in the World | Ned Rorem, Carolyn Enger | D♭ Major | 0 | 3B | 64 BPM | ||
New Beginning - Slowed + Reverb | RKive | D Minor | 3 | 7A | 156 BPM | ||
Prelude II | Edmund Finnis, Sheku Kanneh-Mason | C Major | 0 | 8B | 122 BPM | ||
Pops Blondlela | AlyMusicGroup | D Minor | 2 | 7A | 89 BPM | ||
The Arrival - Inspired by the "Arrival of the Queen of Sheba" from Solomon, HWV 67 | George Frideric Handel, Andrea Ritter, Spark | D Major | 4 | 10B | 173 BPM | ||
A Room: From She Is Asleep - From She Is Asleep | John Cage, Bruce Brubaker | D♭ Minor | 0 | 12A | 147 BPM | ||
Seven Songs: 1. Semplice | Vertapet Komitas, Lusine Grigoryan | D Major | 0 | 10B | 81 BPM |
Section: 0.6225125789642334
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