On September 13, 2023, the song "Kazuya no Kodoku ("Nanji no Nichijou wo Aiseyo" Yori)" was released by Shigeru Nagata. With Kazuya no Kodoku ("Nanji no Nichijou wo Aiseyo" Yori) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Shigeru Nagata, Mitsuo Iwata, Toshihiko Seki's "HERE IS GREENWOOD UNDER ~ THE TREE OF MEMORIES Music Collection" album is number 4 out of 26. On top of that, Japan appears to be the country where this track was created. In terms of popularity, Kazuya no Kodoku ("Nanji no Nichijou wo Aiseyo" Yori) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kazuya no Kodoku ("Nanji no Nichijou wo Aiseyo" Yori) by Shigeru Nagata to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anemone | Masakatsu Takagi | G Major | 2 | 9B | 140 BPM | ||
Nocturne pour Tamaki | Yoshihisa Hirano | G Major | 0 | 9B | 74 BPM | ||
Tip | Million Eyes | E♭ Major | 2 | 5B | 210 BPM | ||
ぼくドラえもん | 今井亮太郎 | C Major | 2 | 8B | 112 BPM | ||
待ち伏せ | Hekuto Pascal | F Minor | 3 | 4A | 104 BPM | ||
lvs(var) | Kensuke Ushio | G Major | 2 | 9B | 70 BPM | ||
The Road to the Valley | Wonder City Orchestra | C Major | 2 | 8B | 93 BPM | ||
The Escape | Satoshi Takebe | D Major | 2 | 10B | 125 BPM | ||
Ukiyoe artist & Daughter | Harumi Fuuki | E♭ Major | 2 | 5B | 74 BPM | ||
It's Like We Traded Places | Takatsugu Muramatsu | F Minor | 0 | 4A | 128 BPM |
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