Fred Astaire made "Top Hat, White Tie And Tails" available on 1935. The duration of Top Hat, White Tie And Tails is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Top Hat, White Tie And Tails's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Essential Fred Astaire". In this album, this song's track order is #6. In terms of popularity, Top Hat, White Tie And Tails is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Top Hat, White Tie And Tails by Fred Astaire having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
It's a Hap-Hap-Happy World | Ambrose & His Orchestra | C Major | 7 | 8B | 96 BPM | ||
Penthouse Serenade (When We're Alone) | Shirley Ross, Bob Hope | G Major | 2 | 9B | 169 BPM | ||
I'Ll See You Again | Noel Coward | G Major | 1 | 9B | 78 BPM | ||
Mrs Worthington | Noel Coward | E♭ Major | 2 | 5B | 137 BPM | ||
Yes Sir, That's My Baby! - Remastered | Eddie Cantor | A♭ Major | 4 | 4B | 113 BPM | ||
My Troubles Are Over | Duke Yellman & His Orchestra | F Major | 4 | 7B | 102 BPM | ||
There's No Two Ways About It | Frankie Newton, Slim Gaillard | B♭ Minor | 7 | 3A | 113 BPM | ||
Charleston Charley | Bert Firman Orchestra | B♭ Major | 4 | 6B | 115 BPM | ||
Where Oh Where | Mabel Mercer | F Major | 1 | 7B | 81 BPM | ||
California Here I Come | Betty Johnson | D Minor | 3 | 7A | 86 BPM |
Section: 0.6490931510925293
End: 0.6543350219726562