"Piano Concerto No. 21 in C Major, K. 467: 2. Andante" by Wolfgang Amadeus Mozart, Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate was released on January 1, 1986. Since Piano Concerto No. 21 in C Major, K. 467: 2. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate's "Mozart: Piano Concertos Nos. 20 & 21" album is number 5 out of 6. On top of that, Netherlands appears to be the country where this track was created. Piano Concerto No. 21 in C Major, K. 467: 2. Andante is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 21 in C Major, K. 467: 2. Andante by Wolfgang Amadeus Mozart, Mitsuko Uchida, English Chamber Orchestra, Jeffrey Tate to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Clarinet Quintet in A Major, K. 581: II. Larghetto | Wolfgang Amadeus Mozart, Sabine Meyer, Wiener Streichsextett | D Major | 0 | 10B | 174 BPM | ||
Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Ton Koopman, Saskia Kwast, Wilbert Hazelzet, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 124 BPM | ||
Piano Concerto in A minor, Op. 16: 2. Adagio | Edvard Grieg, Jean-Yves Thibaudet, Rotterdam Philharmonic Orchestra, Valery Gergiev | F Major | 1 | 7B | 83 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Julia Fischer, Tonhalle Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 65 BPM | ||
Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di Valse | Antonín Dvořák, Sir Charles Mackerras, English Chamber Orchestra | A Major | 0 | 11B | 170 BPM | ||
Solomon, HWV 67: Sinfonia "Arrival of the Queen of Sheba" | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | B♭ Major | 3 | 6B | 119 BPM | ||
Elégie, Op. 24 | Gabriel Fauré, Julian Lloyd Webber, English Chamber Orchestra, Yan Pascal Tortelier | A♭ Major | 0 | 4B | 84 BPM | ||
Oboe Concerto In D Minor: 1. Andante e spiccato | Alessandro Marcello, Heinz Holliger, I Musici | D Minor | 1 | 7A | 144 BPM | ||
The Seasons, Op. 37a, TH 135: No. 6 in G Minor, June. Barcarolle | Pyotr Ilyich Tchaikovsky, Nikolai Lugansky | G Minor | 0 | 6A | 170 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Arr. for Trumpet & Orchestra) | Jacques Offenbach, Lucienne Renaudin Vary, Erik Truffaz, Roberto Rizzi Brignoli, Orchestre National de Lille | D Major | 1 | 10B | 84 BPM |
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