On October 10, 2001, the song "Drop That Sack - Take 1" was released by Johnny Dodds, Lil's Hot Shots, Louis Armstrong, Kid Ory, Lil Armstrong, Johnny St. Cyr. The duration of Drop That Sack - Take 1 is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Drop That Sack - Take 1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "New Orleans Stomp". In this album, this song's track order is #8. In terms of popularity, Drop That Sack - Take 1 is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Drop That Sack - Take 1 by Johnny Dodds, Lil's Hot Shots, Louis Armstrong, Kid Ory, Lil Armstrong, Johnny St. Cyr having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Blue Note Boogie | James P. Johnson | D♭ Major | 3 | 3B | 105 BPM | ||
Madame Dynamite | Eddie Condon | E♭ Major | 4 | 5B | 207 BPM | ||
Black Bottom Stomp - 2002 Remastered | Jelly Roll Morton | C Minor | 5 | 5A | 129 BPM | ||
Blues Downstairs | Woody Herman & His Orchestra | F Major | 4 | 7B | 112 BPM | ||
Things Ain't What They Used To Be | Charlie Barnet & His Orchestra | A♭ Major | 2 | 4B | 112 BPM | ||
The Birth Of The Blues | Paul Whiteman, Ray Henderson, Lew Brown | F Major | 2 | 7B | 93 BPM | ||
Mad Dog | Johnny Dodds | B♭ Major | 6 | 6B | 105 BPM | ||
Baby, Won't You Please Come Home - Remastered | Jonah Jones | F Minor | 3 | 4A | 104 BPM | ||
Lafayette | Bennie Moten's Kansas City Orchestra | C Minor | 4 | 5A | 145 BPM | ||
Ain't She Sweet | Jimmie Lunceford | D♭ Major | 1 | 3B | 149 BPM |
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